All Posts by Richard Sarell

About the Author

Jul 24

Totally Truthful and Compelling to Watch

By Richard Sarell | News

Every so often, something so outstanding happens that its importance needs to be recorded. Last week ANDREA McCANNON’S performance in Wednesday evening’s ‘Eclat’ MASTER CLASS was such an occasion. ANDREA delivered a fabulous 6 minute 45 second blemish free performance recorded in one take.

At The Rehearsal Room, as actors progress through the various levels of the classes they work on longer and longer scenes. That’s because the challenge for the actor to keep a scene engaging for the audience increases considerably as the length of the scene grows. This scene was nearly seven minutes long! That’s unusually long for a TV script.  There were plenty of challenges here, yet ANDREA made it look easy.

This exceptional performance was totally engaging, compellingly real, charming and thoroughly entertaining. Fine work.

ANDREA’S association with The Rehearsal Room began in 2005. She started in the Intermediate Sunday Workshop and has continued to return over the years.

The next Sunday Intermediate Workshop commences on Sunday 6 August at 2pm.  Enrol here.

Jul 10

TV Presenting Workshop

By Richard Sarell | Acting Classes & Workshops

TV Presenting Workshop

Dates:

Duration:

Times:

Tutors:

Early Bird
Full Fee:


Saturday 10 July - 14 Aug

29 hours over 6 weeks

2pm - 6pm

Richard Sarell

$690.00 available till 30 Jan
$770.00

NOTE:  The 2 final days may be full days + Final Review a fortnight after completion              


Learn practical professional TV Presenting skills and overcome your public speaking fears. The confidence that has you relating to the camera in a charismatic way will work just as well to a live audience.  You will learn more in your first session than you normally get from a whole course.

How to write good copy, co-present, conduct great interviews are explored.

Joined Up Films

"

We’ve been sending our first time presenters to Richard to help get them camera ready for many years. He’s a consummate professional with a deep understanding of performance and presentation.


Darren Hutchinson Joined Up Films Pty Ltd
"Who's Been Sleeping in My House" (Adam Ford) ABCTV, "Will Australia Ever Have a Black Prime Minister" (Mark Coles Smith) ABCTV; "Are You Addicted to Technology" (Dr Huu Kim Le) SBS


An engaging performance that charms your audience will become a habit.


Professional performance skills will have you feeling at home on the public podium, the boardroom or in front of the camera.

In the final session shoot your own story that includes co-presenting, two reporting pieces to camera,  an interview and a voice over.

BRING AN SD CARD to record your work to take home to assess.  SD Card details are HERE.


Yasmin Bushby


The course gave me the confidence to know what I'm supposed to do on the set - it is very very practical and it works

What will be covered in this course?

1) Essential performance skills for communicating to an audience

Relating to the camera in a way that engages the audience makes it clear what the key to all good public speaking is

2) Keeping an open and spotaneous approach to charm your audience

Often the techniques that are taught are artificial.  Here you will learn simple practical skills that utilize the strengths of your personality

3) How to cope with stresses and distractions so you stay relaxed and real

Managing nerves and understanding what generates them is a fast track to success.

4) Understanding the production process and how a presenter fits into it

Working with a director who has experience directing current affairs and documentary means you will learn a professional approach to dealing with time constraints and other distractions.

5) Interviewing skills that give polished engaging results

Understanding the interviewers job is the key to doing engaging, spontaneous and entertaining interview whether on stage or on screen.  

6) Performing promos, coping with voice overs and autocue

Some specific areas require specific skills.  This course introduces a practical approach to these issues.

Adam Ford3 series of 'Tour the World' 

The thing that I like about The Rehearsal Room is that it gives you a process ... it gives you a formula that you can rely on.

THIS IS FOR YOU IF...

  • TV Presenting is something you have always wanted to do but didn't know where to start
  • The presenting course you have already done didn't build your confidence
  • Speaking comfortably in public is something you would like to master
  • You generally don't feel confident in groups and want to find a way of boosting your confidence
  • A tertiary degree in journalism hasn't made you comfortable in front of the camera
  • You believe you have the skills to be a presenter and want to learn more about how the industry works

IF YOU DON’T HAVE THESE SKILLS …

  • Misunderstandings about the presenters job will haunt your skill set
  • You may never find out how good you can be
  • Remaining confused about issues that should be really clear will be the norm
  • Naive mistakes will occur because you don't have a practical understanding
  • The presenters job will be much harder for you than it needs to be

ABOUT RICHARD...

This course evolved because The Rehearsal Room acting process was so useful to Jules Lund in establishing a career as a TV Presenter at a very young age.  Jules did all the acting classes and then found it was those skills that quickly had him working on Channel 9's "Get Away".

On the basis of Jules success Richard decided to run this TV Presenters course and it was an instant success.  The techniques that presenters learn are an adaptation of the fundamental processes taught to actors at The Rehearsal Room.  They have all the same clear, practical, efficient and common sense qualities that produce performers who are in charge of their choices in a very professional way.

These techniques work on stage, in the boardroom or in front of a camera

Many have found they are now more comfortable and proficient on a professional set because they totally understand the realities of the job.  The end result has been a professional career.

And everyone has found that they learn the skills quickly because it is such a practical and supportive learning environment.


This video promotion was made for 2015 classes

Learn skills you will use throughout your career. 

THIS COURSE - Saturdays 10 July to 14 August 2021


Jul 06

AUDITIONING for TV COMMERCIALS

By Richard Sarell | Intensives

AUDITIONING for TV COMMERCIALS

Dates:

Duration:

Times:

Tutors:

Full Fee:


Saturday 6 July 2019

7.5 hours

10am - 6pm

Casting Director: Biffy James (2 Divas)
Director:  Richard Sarell

$256.00



Are you confident when auditioning for a TV COMMERCIAL?  Or do you often walk out of the audition room feeling you didn't do a great job.  Is the question often in your mind, "IF ONLY I had more time to think!  IF ONLY I could have another go!!"

Although a TVC only requires a short time commitment they often pay quite well - so TV Commercials are a handy supplements to an actor's income.  Impressing the casting director with your skill level is the first step towards the lottery of getting the gig.

This one-day workshop provides the opportunity to get better at auditioning for TV Commercials.  Yes, YOU WILL DO AN AUDITION.  But NO, YOU WONT walk out feeling that you would like a second chance.

THIS TIME YOU WILL get another chance?  After every round of auditions there will be a discussion/analysis session and then every actor will get a second go.  There will be one round in the morning session and another in the afternoon.  You get FOUR AUDITIONS in one-day working with two different audition formats.


What are the benefits of this course?

1) Build audition skill in two different audition formats

It is important to understand what a Casting Director expects of you and what they might ask of you.  What they ask might change depending on the audition format they are exploring.

2) An opportunity to sort out your specific confusions

Sort out your those areas you often aren't clear about.  Learn how to ask the right questions to get the right answers. 

3) Benefit from the knowledge of an experienced Casting Director and an experienced Director

During the briefing sessions after each audition you will get practical hands-on advice from the Casting Director's point of view and a Director's assessment.  You will explore a variety of options that are then tested out.

4) Work on real briefs so you get real experience

This will be a thoroughly professional working environment - dealing with the issues professionals face and using professional techniques to overcome them

5) Explore two different forms of TVC Auditions

Sometimes you have to work with another actor - sometimes you have to work alone.  Explore different techniques and different processes that help deal with these very different auditions.

6) Get to know a working Casting Director

Casting Directors not only need to know about your skill level they also need to know you.  Because you have a day to play with the challenges this workshop offers you will get to build a relationship with a working professional Casting Director

Shane Porteous A Country Practice [Lead actor]

For an actor a scene must do more than further the plot - it must explore the relationship between the characters. Richard has a gift for making this process clear and simple. His direction gives me confidence to trust my own intuition, thus allowing the character room to breathe...

THIS IS FOR YOU IF...

  • You find Casting Directors intimidating
  • Uncertainty about exactly what a casting director is looking for holds you back
  • The great plans for your audition are seldom delivered
  • Don't know how to manage the unusual demands of TVC auditions
  • Which questions are the right ones to ask the casting director
  • You feel an audition is a competition that you must win

IF YOU DON’T HAVE THESE SKILLS …

  • you may always feel uncomfortable when auditioning for a TVC
  • you wont have a professional understanding of the audition process
  • will remain confused about issues that should be clear to you
  • you will reduce your chances of doing a good audition
  • be rigid in your choices rather than relaxed, flexible and professional

ABOUT BIFFY...

Biffy has vast and varied experience in the entertainment industry. Starting at just 8-years-old. She has worked at Channel 7, as an Associate Producer for a comedy sketch series over two seasons and has been at 2Divas Casting for 5 years. In that time she has been involved in casting hundreds of commercials.

As well as an Arts Degree she also has a Diploma of Screenwriting (New York Film Academy, NY), Masters of Creative Writing (RMIT), and a Masters of Producing in Film and Television (Victorian College of the Arts).

Biffy has conducted many private workshops for actors, advising them of audition tips and tricks, and what to expect in the casting room.

ABOUT RICHARD ...

Richard was one of the first acting teachers to begin running workshops that allowed actors to interact with Casting Directors.  The aim was to give actors experience of the audition room so that they can approach an audition in a relaxed, focused and professional way.

These are the only workshops where actors also receive analysis and feedback from a director as well as a casting director.  This combined input from two different entertainment professionals makes these workshops unique and incredibly valuable.

Richard believes this workshop will be unique in the way it identifies and solves problems for actors.  It will be a small group where​ the focus is entirely on the needs of the actors.


The Rehearsal Room runs a variety of Audition Workshops

Learn to be comfortable auditioning for TV Commercials. 

THIS COURSE - Saturday 6 July 2019

Enter your text here...

Explosive afternoon
Jun 05

A Taste of Our New Home

By Richard Sarell | News

The Rehearsal Room tested out its new home at the Dream Factory in Footscray with a 3-hour workshop “Freedom for the Actor” on Sunday 4 June.  The results were outstanding with moving and powerful performances resulting from the exercises.

GLENN QUINN and KYAHL ANDERSON did a superb job in bringing their perspective to the session. “Incredible content in an explosive afternoon,” was how KELLY CUPO experienced the day. “What a pleasure to work with three professionals,” she said. The strength of the teaching team at The Rehearsal Room is growing and growing. It is already at an impressive standard.

“Three minds with three different approaches combined together, really created a powerful approach to the conversation,” commented CIGDEN HONEY.

It was an exciting afternoon.

The first SUNDAY WORKSHOPS at the DREAM FACTORY start this Sunday 11 June.
Click here to enroll for the Introductory Workshop and here for the Intermediate Workshop.

Joshua Hodge gets gig on Wentworth
May 24

Another Step Forward

By Richard Sarell | News

“You have got the role,” are the words every actor wants to hear their agent say.  JOSHUA HODGE has just heard those words because he’s got a gig on “Wentworth”.

It is another step forward in expanding his experience and it also helps in building a professional network with Casting Directors and Directors.

Although an actor is always hoping for the BIG BREAK, for most it is a question of building a reputation one step at a time. Each gig is an opportunity to gain more experience and each class is the opportunity to build more skill. JOSHUA recently completed the Advanced Workshop (for experienced actors) where in 10 weeks he explored over 15 techniques to manage character and advance the drama of the story. Those skills are aimed at generating a performance that will standing out from the crowd in the audition room.  Well done, Josh!!

May 01

Hollywood Excitement

By Richard Sarell | News

Actor/Producer DARREN MORT and Lead Actor WESLEY FORKE were in Los Angeles last week to see their film “Degree of Separation” screened in the opening session of 17th Beverly Hills Film Festival. “It was very exciting for the film to be accepted into the festival but to then be scheduled to open the festival was a huge honour,” DARREN MORT said from LA. Seeing the distinctive image of the film’s poster adorning the festival’s foyer generated a real sense of how significant this achievement is.

“Degree of Separation” was directed by KYAHL ANDERSON and DALE MASTIN. It was written by PHILIP CLAASSEN. Congratulations to everyone concerned.

 

Three Success Stories
Apr 28

Three Success Stories

By Richard Sarell | News

Fiona Banks is a busy director. With recent credits on The Dr Blake Mysteries, House Husbands and Winners and Losers she regularly runs sessions for The Rehearsal Room’s MASTER CLASS actors. This week she told The Rehearsal Room how pleased she was with JESSICA STANLEY’S performance in the final episode of The Dr Blake Mysteries (Series 5). The series has not yet been scheduled but Fiona said, “Jessica is going to be very pleased with her work.” Fiona is excited about this performance. So is JESSICA.

Congratulations, JESSICA.

 

INTERNATIONAL SUCCESS
Actor WESLEY FORKE is achieving international recognition at film festivals for his outstanding performance in “Degree of Separation” as is KYAHL ANDERSON the director of this 14-minute film. It’s most recent review from the Stonefair Festival in Romania gives high praise to the film’s performances which is the story of Troy played by WESLEY. The Stonefair reviewer writes, “The delivery of the simple yet powerful message is substantially aided by the outstanding performances of all actors involved, and especially by Wesley Forke as Troy and Arta Mucaj as Virianna. The delivery of each line feels completely natural, while moments of silence and quiet contemplation are just as powerful insights into their personalities.” According to this Stonefair review these performances have achieved the perfect balance between relationship and circumstance to deliver the “raw power” of this story’s message.

 

“Degree of Separation” was produced by DARREN MORT.

 

MAKING A STRONG IMPRESSION
ELLMIR ASIPI has just completed his second term of classes at The Rehearsal Room and during the term shot his first professional gig in the ABC’s new kids show “Mustangs FC”.   ELLMIR is 16 and was originally booked for an 8-day shoot with a few lines on this new ABC show. His performance attracted attention because his part grew. By the end of the shoot he had been booked for a total of 20 days. That’s every actor’s dream … a promotion that occurs because the quality of your work is recognised.

He is plainly doing the job well. Congratulations, ELLMIR.

Apr 20

How To Get To Las Vegas

By Richard Sarell | News

Hard working actor/singer Anthony Sparkes played ‘Cec’ in 29 episodes of “Miss Fisher’s Murder Mysteries”.

That’s how he got invited to Las Vegas for “A Miss Fisher’s Murder Mysteries Convention”. It simply was too good an opportunity to miss … so, he is on his way. He is expanding his itinerary and stopping by Los Angeles as well, of course.

Anthony has just completed the Advanced Workshop (for experienced actors) and no doubt will be thinking about joining a MASTER CLASS when he gets back. He is an actor on the move.

Apr 19

Summer Intensive

By Richard Sarell | Acting Classes & Workshops

Managing the Actor's Mind

Dates:

Duration:

Times:

Tutor:

Full Fee: Student Fee:

Deposit:

Monday 14 – 18 Jan

(5 days)

10.00am to 5.00pm

Richard Sarell

$715
$615

20%

Pay in 2 instalments


Does your mind sometimes refuse to find a way through the CREATIVE CHAOS it is generating?
Do you sometimes not know where to start prepping a scene?
Does a scene sometimes end up entirely differently to the way you planned it?
Does the behaviour of your character sometimes end up dark and moody when you thought you were light and playful?  
Do you look at a scene sometimes and find your mind refuses to see the circumstances as real when the writer obviously does?

David Paterson Chopper, The Curious Case of Benjamin Button, Saving Mr. Banks, Frost Nixon

I have observed leading teacher directors in the US and UK and Richard shares with them that facility to guide actors through the guff to the heart of the scene.

AN IMPORTANT CONSIDERATION:  Throughout time acting teachers have been showing you, the actor, the best decision making processes for finding your place in a scene.  But one area has been ignored.  There is little advice on how to manage the mind of the actor who is implementing the decisions.  If the actor's mind is unclear the performance technique will lack focus and the outcome will be muddled. 

This process is designed to manage the mind that delivers the performance.

What will be covered in this course?

1) Identifying the creative decisions that confuse ... finding a path to fix them

While using our creative mind is always exciting, it can also be downright confusing.  There are so many impulses that are flooding in it is hard to sort out which ones are important.  Or whether any of them are.  The way to find a pathway through the chaos is to build a simple hierarchy of choices.

2) Understanding the reasons that blur the creative decision making processes

Many of the factors that generate creative confusions stem from the way our minds work.  Understanding the mechanics of our mind's processes enables us to short circuit problems and have fun with the solutions.

3) Making clear decisions about the scene

Powerful performances arise from actors who are in charge of their process.  The simplest pathway is the best but our mind will rush to overcomplicate the most straightforward of choices.  Managing our fears that magnify the confusions is the pathway to putting the fun back into acting.

4) Finding your characters specific role in a scene

​Understanding your role is the key to doing any job well.  For the actor understanding in simple terms the role their character has in the developing story lifts the mist of confusion.

5) Learning to work at a fast pace with effective choices

Clearing the mind of random confusions is the pathway to successfully working at the speed required for a modern film shoot.  Clear mind = clear choices = clear outcomes.

6) Challenge yourself, expand yourself and trust yourself

Be part of a course that takes your work to a new professional high while bringing the fun back into acting.

THIS IS FOR YOU IF...

  • You want to reduce your creative fears and increase your creative fun
  • The belief that you have the ability to act keeps being disrupted by irrational self doubts
  • Your fervent hope is that acting can be simpler as well as more fun
  • Catching up with new and very practical techniques excites your creativity
  • Bringing exciting new skills to your acting process is something you would relish

IF YOU DON’T HAVE THESE SKILLS 

  • You will compromise the consistency of your performances
  • Being consistently real will be tricky
  • Director’s notes will be confusing
  • Confusion will generate fear that will paralyse your decision making process
  • Monitoring the bad habits that creep into your work won't be possible
  • The fun of being in the most enjoyable classes in town will pass you by

ABOUT RICHARD...

Richard loves conducting the  Summer Intensive.  It is exciting to focus so intensely on the needs of a small group (maximum group size of 8).  He loves the huge leaps forward in understanding and skill that actors achieve in this environment.



The huge success of "The Memory of Water" that Richard directed at Chapel Off Chapel (Nov 2017) clearly proved the efficacy of The Rehearsal Room's processes.  Audiences loved it.  Max Davine wrote in his blog on goodvibemelbourne.com "The realism he achieves is funny and heart-wrenching, sometimes both at the same time, as in life."



Richard believes that it is the clarity and trust of simple, functional processes that enables the actor to defeat their fears and restore order from potential creative chaos.  




THIS COURSE STARTS - Monday 14 January 2019

Over 5 fun filled days learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be funny. 

Apr 19

Easter Intensive

By Richard Sarell | Intensives

Easter Intensive 
MANAGING THE ACTOR'S MIND

Dates:


Duration:

Times:

Tutor:

Full Fee: Student Fee:

Deposit:

Friday April 19 – Monday 22 April
(Tuesday 23 April optional)

4 days (with an optional 5th)

10.00am to 5.00pm

Richard Sarell

$580 (+$100 for 5th day)
$500 (+$80 for 5th day)

20%


Does your actor's mind sometimes refuse to find a way through the CREATIVE CHAOS it is generating?
Do you sometimes not know where to start prepping a scene?
Does a scene sometimes end up entirely differently to the way you planned it?
Does the behaviour of your character sometimes end up dark and moody when you thought you were light and playful?
Do you look at a scene sometimes and find your mind refuses to see the circumstances as real when the writer obviously does?

David Paterson Chopper, The Curious Case of Benjamin Button, Saving Mr. Banks, Frost Nixon

I have observed leading teacher directors in the US and UK and Richard shares with them that facility to guide actors through the guff to the heart of the scene.


AN IMPORTANT CONSIDERATION: Throughout time acting teachers have been showing you, the actor, the best decision making processes for finding your place in a scene. But one area has been ignored. There is little advice on how to manage the mind of the actor who is implementing the decisions. If the actor's mind is unclear the performance technique will lack focus and the outcome will be muddled no matter how good the techniques. This process is designed to manage the mind that delivers the performance.

What will be covered in this course?

1) Identifying the creative decisions that confuse ... finding a path to fix them

While using our creative mind is always exciting, it can also be downright confusing. There are so many impulses that are flooding in it is hard to sort out which ones are important. Or whether any of them are. The way to find a pathway through the chaos is to build a simple hierarchy of choices.

2) Understanding the reasons that blur the creative decision making processes

Many of the factors that generate creative confusions stem from the way our minds work. Understanding the mechanics of our mind's processes enables us to short circuit problems and have fun with the solutions.

3) Making clear decisions about the scene

Powerful performances arise from actors who are in charge of their process. The simplest pathway is the best but our mind will rush to overcomplicate the most straightforward of choices. Managing our fears that magnify the confusions is the pathway to putting the fun back into acting.

4) Finding your character's specific role in a scene

Understanding your role is the key to doing any job well.  For the actor understanding in simple terms the role their character has in the developing story lifts the mist of confusion.

5) Learning to work at a fast pace with effective choices

Clearing the mind of random confusions is the pathway to successfully working at the speed required for a modern film shoot. Clear mind = clear choices = clear outcomes.

6) Challenge yourself, expand yourself and trust yourself

Be part of a course that takes your work to a new professional HIGH while bringing the fun back into acting

THIS IS FOR YOU IF...

  • You want to reduce your creative fears and increase your creative fun
  • The belief you can act is constantly disrupted by irrational fears
  • Your fervent hope is that acting can be simpler as well as more fun
  • Catching up with new and very practical techniques excites your creativity
  • Bringing exciting new techniques to your acting process is something you would relish

IF YOU DON’T HAVE THESE SKILLS …

  • You will compromise the consistency of your performances
  • Being consistently real will be tricky
  • Director's notes will be confusing
  • Confusion will generate fear that will paralyse your decision making process
  • Monitoring the bad habits that creep into your work won't be possible
  • The fun of being in the most enjoyable classes in town will pass you by

ABOUT RICHARD...

Richard loves conducting this Intensive.  It produces such fantastic results for actors.  Focusing so intensely on the needs of a small group (maximum group size of 8) is exciting.  He loves the huge leaps forward in understanding and skill that actors achieve in this environment.



The huge success of "The Memory of Water" that Richard directed at Chapel Off Chapel (Nov 2017) clearly proved the efficacy of The Rehearsal Room's processes. Audiences loved it. Max Davine wrote in his blog on goodvibemelbourne.com "The realism he achieves is funny and heart-wrenching, sometimes both at the same time, as in life."



Richard believes that it is the clarity and trust of simple, functional processes that enables the actor to defeat their fears and restore order from potential creative chaos.



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THIS COURSE STARTS - Friday 19th 2019

Over 4 or 5 fun filled days learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be funny.

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Enter your text here...