Category Archives for "Acting Classes & Workshops"

Oct 28

Drop In Monday Evenings

By Richard Sarell | Acting Classes & Workshops

'Drop-In' Monday Evenings

Dates:

From Monday 5 Nov 2018

Duration

Ongoing Weekly

Times

6pm to 9pm

Tutor

Richard Sarell

Variable Fee:

$25 per hr to participate in the class (for as long as you stay)

Some snippets from a Drop In Wednesday session

The ‘Drop In Wednesday Workshop' has been very successful.  Now you can DROP-IN on a Monday evening from 6pm.

To work on your scene with another actor you pay $25 an hour.   You buy either 3 hours of class time for $75 (Package 1) or 9 hours of class time for $200 (Package 2).  Use your time in hourly blocks any day that suits you until the end of the year.

IT IS A GOOD IDEA TO BOOK YOUR SPOT …
Email your plans to attend to richard@rehearsalroom.com

Glenn Quinn Mama Mia, Spamelot, Jersey Boys [lead]

At The Rehearsal Room I was able to quickly overcome my long held misconceptions about what acting is and was ushered into a place of freedom, spontaneity and freedom with the scene.


What will be covered in this course?

1) Supportive direction will give you the chance to achieve your goals

If you are working on a scene the direction will be tailored to your personal needs. You don’t need to have trained here – Richard will adapt the acting process to support you..

2) Learn the basics of this process and test them out

This is a great way to try out The Rehearsal Room acting process. You can discover whether this approach makes sense for you. Ask questions and try the techniques one step at a time.

3) Practice your established skills and develop new ones

If you are already familiar with these techniques then this is a simple way to expand them further. There is so much information available here that the learning is never ending. Actors just keep growing and growing.

4) Keep exercising your acting muscle

Many actors have noticed that if the training isn’t regular the skills do drop off. This is the perfect way to keep your skills strong and active.

5) Enjoy a relaxed social environment

Enjoy the convivial atmosphere of these classes while you continue to explore the wondrous world of acting. You can make these sessions as challenging or relaxing as you like.

6) Just keep on learning

Actors who keep returning to The Rehearsal Room just see there skills get better and better.

THIS IS FOR YOU IF...

  • You have the foundations of The Rehearsal Room process in place and want to continue to build your skills
  • Perhaps you want to gain a basic understanding of this technique
  • An acting problem is worrying you and you want it fixed
  • Are searching for a stimulating way of freshening up your weekly routine
  • Your aim is to share your interest with other actors of like mind

IF YOU DON’T HAVE THESE SKILLS …

  • You will miss out on the fun
  • You could miss finding an acting buddy or a new friend
  • You may never know the way this approach could change your view of acting and increase your skills
  • You will miss sharing stimulating views on a topic you love
  • You will never find out how much your skill could grow from these powerful techniques

ABOUT RICHARD...

Richard finds every workshop provides the opportunity not only for actors to grow more but also for the collective understanding of technique to grow more. The exciting element of these classes is that they train actors to think in a productive way about the practicalities of acting. The discussions are stimulating, purposeful and highly productive. Richard is always on the look out for the new view that he will learn from the next class. Some thought you philosophize about today might well be an exciting basis for tomorrow’s class.

Richard often says, “I get out of bed each day excited by the prospect of an unexpected new discovery.”


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Next Drop In - this Monday

Learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be skilled in auditions. At the Wednesday Drop-In you will learn a remarkable variety of skills.

Jun 03

$10 Friday

By Richard Sarell | Acting Classes & Workshops

$10 FRIDAY
Scene Study 

Dates:

Duration:

Times:

Tutor:

Full Fee:

Friday 26 October

3 hours

6.00pm to 9.00pm

Richard Sarell

$10.00


Explore the key ingredients of a PERFECT SCENE STUDY with director Richard Sarell.  The effectiveness of The Rehearsal Room's powerful techniques will inspire you.  They have been clearly demonstrated in our recent stage production.  

Learn the secrets and understand the core elements that deliver compelling, entertaining and believable performances.  In a jam packed 3-hour session  hear fascinating acting theory and try exercises that make it plain how these techniques work.

ENROL NOW and Richard will SEND YOU THREE SCENES TO READ SO YOU CAN PREPARE TO FULLY PARTICIPATE IN THE NIGHT.

Shane Porteous A Country Practice [Lead actor]

For an actor a scene must do more than further the plot - it must explore the relationship between the characters. Richard has a gift for making this process clear and simple. His direction gives me confidence to trust my own intuition, thus allowing the character room to breathe...


What will be covered in this course?

1) A clear understanding of acting theory

Gain the clearest understanding of acting theory.  A profound understanding of how and why a good performance works is the key to being able to prepare and deliver the perfect performance.  This brief session will start to clear away the common misconceptions that hold even the highly trained actor back.  

This exciting approach will re-invigorate your perspective on the importance of the actors role and the rich variety of options it explores will empower your choices. 

2) Techniques that are powerful for the stage actor and essential for the screen

These techniques are just as potent on stage as they are on screen.  They are universally relevant.

3) Understand your character's role in the scene

Understanding your character's role in the story is the key to the choices you make.  The Rehearsal Room techniques proved a clear approach to making the best choices.

4) How to generate rich complexity and emotional clarity

Every actors goal is to generate a lifelike complexity in a performance.  The right emotional chord for a scene is also a major aspiration.  

5) Being clear about your role in the story

This is the Achilles Heel of most acting processes.  Understanding how story works is and how your role serves it is the single most important tool that makes an actor appeal to a director. This material will blow you away.

6) Try simple exercises

You will play with simple exercises that give you the chance to implement these techniques and see how they work.  Learning through experience is the key to acquiring workable knowledge quickly.  You will be amazed at how much you learn in 3 hours.

THIS IS FOR YOU IF...

  • You are excited by the acting process but find it difficult to be consistently good
  • Making quick and confident decisions in auditions or in a rehearsal is challenging
  • Taking direction and finding new reasons to drive your choices is tricky
  • Have always been interested in acting but are not sure you can do it
  • Are not clear about how to find your characters place in the story
  • You want to learn about acting from a director

IF YOU DON’T HAVE THESE SKILLS …

  • you will ‘act’ rather than listen and respond
  • vague intuitive choices will be the result rather than logical professional ones
  • inconsistent performance outcomes will happen regularly
  • ‘acting’ rather than being real and ‘inter-acting’ will often be the outcome
  • choices will be rigid rather than relaxed, flexible and professional

ABOUT RICHARD...

Over his twenty-five year directing career on such shows as Neighbours, Home and Away, Blue Heelers (and many more) Richard found that many actors didn’t actually listen. They acted listening to pre-planned choices they had intelligently worked out as a result of their preparation. That pathway plainly didn’t work – it was fake. Even actors who had emerged from the major teaching institutions often couldn’t listen for real.

As a result of trying to explain to actors a process that would correct these deficiencies a new approach to acting technique has emerged.  The outcome has been, amongst other things, a fabulously practical approach to scene study.

Richard believes this common sense and practical approach to this most basic of acting skills is unique to classes at The Rehearsal Room. It trains actors to make practical choices based on a professional understanding of the characters role in the overall story.

Understanding how a story works is the key to every creative choice that follows.


THIS COURSE -
Friday 26th  Oct 2018
in Castlemaine

From 6pm - 9pm learn skills you will use throughout your career. Learn to be real, to be versatile and to be a great listener. This SCENE STUDY WORKSHOP will be more practical than any process you have encountered before.
Great techniques for screen or stage.

Two actors, who had never experienced The Rehearsal Room Acting Process until they were cast in Shelagh Stephenson's "The Memory of Water", share their experience.  

Directed by Richard Sarell "The Memory of Water" opened at Chapel Off Chapel in November 2017.  This video has expanded explanations of these actor's views on these techniques.

Jan 14

Summer Intensive

By Richard Sarell | Acting Classes & Workshops

Managing the Actor's Mind

Dates:

Duration:

Times:

Tutor:

Full Fee: Student Fee:

Deposit:

Monday 14 – 18 Jan

(5 days)

10.00am to 5.00pm

Richard Sarell

$715
$615

20%

Pay in 2 instalments

Early bird Booking - SAVE $100 on the Full Fee - offer ends 10 December - book now and save!!


Does your mind sometimes refuse to find a way through the CREATIVE CHAOS it is generating?
Do you sometimes not know where to start prepping a scene?
Does a scene sometimes end up entirely differently to the way you planned it?
Does the behaviour of your character sometimes end up dark and moody when you thought you were light and playful?  
Do you look at a scene sometimes and find your mind refuses to see the circumstances as real when the writer obviously does?

David Paterson Chopper, The Curious Case of Benjamin Button, Saving Mr. Banks, Frost Nixon

I have observed leading teacher directors in the US and UK and Richard shares with them that facility to guide actors through the guff to the heart of the scene.

AN IMPORTANT CONSIDERATION:  Throughout time acting teachers have been showing you, the actor, the best decision making processes for finding your place in a scene.  But one area has been ignored.  There is little advice on how to manage the mind of the actor who is implementing the decisions.  If the actor's mind is unclear the performance technique will lack focus and the outcome will be muddled. 

This process is designed to manage the mind that delivers the performance.

What will be covered in this course?

1) Identifying the creative decisions that confuse ... finding a path to fix them

While using our creative mind is always exciting, it can also be downright confusing.  There are so many impulses that are flooding in it is hard to sort out which ones are important.  Or whether any of them are.  The way to find a pathway through the chaos is to build a simple hierarchy of choices.

2) Understanding the reasons that blur the creative decision making processes

Many of the factors that generate creative confusions stem from the way our minds work.  Understanding the mechanics of our mind's processes enables us to short circuit problems and have fun with the solutions.

3) Making clear decisions about the scene

Powerful performances arise from actors who are in charge of their process.  The simplest pathway is the best but our mind will rush to overcomplicate the most straightforward of choices.  Managing our fears that magnify the confusions is the pathway to putting the fun back into acting.

4) Finding your characters specific role in a scene

​Understanding your role is the key to doing any job well.  For the actor understanding in simple terms the role their character has in the developing story lifts the mist of confusion.

5) Learning to work at a fast pace with effective choices

Clearing the mind of random confusions is the pathway to successfully working at the speed required for a modern film shoot.  Clear mind = clear choices = clear outcomes.

6) Challenge yourself, expand yourself and trust yourself

Be part of a course that takes your work to a new professional high while bringing the fun back into acting.

THIS IS FOR YOU IF...

  • You want to reduce your creative fears and increase your creative fun
  • The belief that you have the ability to act keeps being disrupted by irrational self doubts
  • Your fervent hope is that acting can be simpler as well as more fun
  • Catching up with new and very pracitcal techniques excites your creativity
  • Bringing exciting new skills to your acting process is something you would relish

IF YOU DON’T HAVE THESE SKILLS 

  • You will compromise the consistency of your performances
  • Being consistently real will be tricky
  • Director’s notes will be confusing
  • Confusion will generate fear that will paralyse your decision making process
  • Monitoring the bad habits that creep into your work won't be possible
  • The fun of being in the most enjoyable classes in town will pass you by

ABOUT RICHARD...

Richard loves conducting the  Summer Intensive.  It is exciting to focus so intensely on the needs of a small group (maximum group size of 8).  He loves the huge leaps forward in understanding and skill that actors achieve in this environment.



The huge success of "The Memory of Water" that Richard directed at Chapel Off Chapel (Nov 2017) clearly proved the efficacy of The Rehearsal Room's processes.  Audiences loved it.  Max Davine wrote in his blog on goodvibemelbourne.com "The realism he achieves is funny and heart-wrenching, sometimes both at the same time, as in life."



Richard believes that it is the clarity and trust of simple, functional processes that enables the actor to defeat their fears and restore order from potential creative chaos.  




THIS COURSE STARTS - Monday 14 January 2019

Over 5 fun filled days learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be funny. 

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Oct 08

Acting – Introductory Workshop Class

By Richard Sarell | Acting Classes & Workshops

Introductory Workshop

Dates:

Duration:

Times:

Tutors:

Full Fee:

Deposit:

Mondays 8 Oct – 10 Dec

10 weeks

7.00pm to 9.30pm

Richard Sarell
Kyahl Anderson

$492.00 discount

$49.20 

20% GRAND FINAL DISCOUNT
EXTENDED - You can't tip the winner for a 25% discount any more.  BUT the 20% discount is still available.


Learn the key foundation skills for a professional acting career in this Melbourne acting class. It is a modern approach that has all the best elements of traditional processes plus many gems of its own. It’s an acting process for our times.

Ann Truong Hard Target 2, Hunters, Schapelle, Neighbours

"Something clicks in every class. It’s an amazing feeling - knowing that you are going to learn something profound but you are yet to have any idea of what that is until it happens. I return each week excited knowing that I am about to experience this." 



What will be covered in this course?

1) Learn how to build a character effectively

Throughout the history of acting tools that create a character are complicated and vague. These new techniques will enable you to create a believable character quickly. Managing character choices efficiently is the key to being an effective TV actor. You can learn to do it in seconds.

2) Learn to play brilliant surprises

Surprises are the key to a standout performance. All the great actors play beautiful moments of surprise. You can do it too. These techniques are not taught anywhere else.

3) Be able to engage an audience with your performance

Casting Directors and Directors know that actors who deliver engaging performances are hard to find. If you can totally engage an audience with your performance, the professionals who want to hire you will instantly recognize your skills.

4) Gain a modern understanding of Stanislavski techniques

This is a no bullshit approach to traditional theories. It cuts through the complexities of other acting processes and explains them in a simple common sense language. You will be empowered by your new understanding of Stanislavski process. This is an acting process that makes sense.

5) Build a foundation for great auditioning techniques

Auditioning is a confronting experience for actors. The audition room can be an uncomfortable place. Learn the fundamental skills that will make auditioning relaxing and fun. That’s what it should be … FUN!!

6) Acquire practical and professional acting skills

The confusions and vagueness of other approaches are replaced with simple and powerful tools that you can manage with ease. This set of tools you can use with confidence because they deliver. It will change your view of acting forever.

THIS IS FOR YOU IF...

  • You are looking for a place to start building professional acting techniques
  • You have trained at a reputable school or university and are still confused
  • When the teaching you have experienced kind of makes sense but isn’t clear about what you have to do
  • You feel acting and life can be simpler
  • You sense your acting teacher is just directing you how to do a scene not teaching you how to act

IF YOU DON’T HAVE THESE SKILLS …

  • You will make slow progress trying to find a system that works for you
  • Active realistic listening will probably elude you
  • Flexibility to take direction will be difficult
  • Basic acting skills, like how to end scenes, will be confusing
  • You won’t know how to put yourself in charge of your career
  • You won’t have an acting process that grows with you and for you

ABOUT RICHARD...

Richard first discovered the core values of this technique when he was directing drama at the ABC in Melbourne in 1984. In an actor/director workshop run by the marvelous teacher Murray Hutchinson a simple, clear and common sense approach to Constantine Stanislavski’s theories was explained. Richard was captivated by the wonderful practicality of this approach and immediately started exploring it. He also began using it as the foundation of his directing techniques.

After watching Richard direct an actor on the ABC series “Embassy”, experienced British actor Brian Marshall commented, “That was pure Stanislavski!!” Other actors began to notice the difference and soon some began asking Richard to teach them the techniques he was using. Those requests generated what has now become The Rehearsal Room acting school in Melbourne. Over thirty-two years those common sense concepts have continued to develop and evolve.

This is a practical, professional approach focused on delivering the performance outcomes that directors and casting directors are looking for. Unlike any other acting process before it the main focus of this approach is on engaging and entertaining an audience. Actors who can do that are a sought after commodity. Richard loves teaching it. You will love learning it.


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THIS COURSE STARTS - Monday 8 Oct 2018

Learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be skilled in auditions. This workshop lays all the foundations for a professional acting career.

Oct 10

Acting – Intermediate Workshop Class

By Richard Sarell | Acting Classes & Workshops

Intermediate Workshop

Dates:

Duration:

Times:

Tutors:

Full Fee:

Deposit:

Wednesdays 10 Oct – 12 Dec

10 weeks

7.00pm to 9.30pm

Richard Sarell
Kyahl Anderson

$615.00

$61.50


Acquire skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be skilled in auditions. The Intermediate Workshop will make you the director’s best friend.

Shane Porteous A Country Practice [Lead actor]

For an actor a scene must do more than further the plot - it must explore the relationship between the characters. Richard has a gift for making this process clear and simple. His direction gives me confidence to trust my own intuition, thus allowing the character room to breathe...


What will be covered in this course?

1) Build real and effective listening skills

Listening is a core foundation skill that many actors find hard to manage. The key is to actually listen. Often the default choice for an actor is to ‘act’ listening – that never works. The focus of this workshop is on building real listening skills

2) Explore effective Meisner techniques to refine your listening

This adaptation of Meisner process is enormously effective at building listening skills. These challenging exercise develop a number of real skills that you will use in many different ways throughout your career.

3) Gain practical skills to find your place in a scene

Clearly understanding and controlling your character’s place in a scene is an essential skill for an actor. Those choices are crucial to delivering the unfolding story. These are the skills that drive the story forward and engage the audience. Nowhere else are these techniques taught so effectively. These are the skills that have you standing out in the audition room.

4) Be able to make big changes to character and story outcomes

How to change the nature of the character and balance that against the drama of the story is a skill that is not commonly taught. You will learn to make powerful choices that are dramatically engaging. With practice these skills are easy to manage. You will have a powerful professional presence in front of a Casting Director.

5) Learn to trust your actor’s impulses

Impulses are an instinctive part of daily interactions. But many actors take their importance for granted. The key to being real and believable is understanding what drives the impulses in a conversation. That understanding enables the actor to control a path to realistic but highly dramatic performances.

6) Test your skills with a professional casting director

The final exercise in this workshop is to test your burgeoning skills in front of a professional Casting Director

THIS IS FOR YOU IF...

  • Casting Directors say that you aren’t listening authentically
  • You can’t make quick and effective decisions in auditions
  • Have tried other techniques but still want to know more
  • Have tried other techniques but found them confusing
  • Want to be able to use character to push the story
  • You want to learn about acting from a director

IF YOU DON’T HAVE THESE SKILLS …

  • you will ‘act’ rather than listen and respond
  • you will make vague intuitive choices rather than logical professional ones
  • be unable to effectively take direction
  • be seen to be ‘acting’ rather than be real and ‘inter-acting’
  • be rigid in your choices rather than relaxed, flexible and professional

ABOUT RICHARD...

Over his twenty-five year directing career Richard found that many actors he auditioned didn’t actually listen. They acted listening to pre-planned choices they had intelligently worked out as a result of their preparation. That pathway plainly didn’t work – it was fake. Even actors who had emerged from the major teaching institutions often couldn’t listen for real.

As a result a major focus of his work with actors both on the set and in the classroom has been to build techniques that develop ‘active listening’ skills. To be able to actively listen in a real and lifelike way is the foundation on which great performances are built. This workshop has a deep and powerful understanding of how our listening actually works and builds techniques that you will use in a variety of different ways throughout your career.

Richard believes this common sense and practical approach to this most basic of acting skills is unique to classes at The Rehearsal Room. It not only trains actors to make practical choices that will drive their listening in an active way but it will also enable them to monitor how their listening skills are working throughout their career.

Listening is the bedrock on which acting skill is built.


THIS COURSE STARTS - Wednesday 10 Oct 2018

Learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be skilled in auditions. The Advanced Workshop will make you the director’s best friend.

Oct 09

Acting – Advanced Workshop Class

By Richard Sarell | Acting Classes & Workshops

Advanced Workshop

Dates:

Duration:

Times:

Tutors:

Full Fee:

Deposit:

Tuesdays 9 Oct – 11 Dec

10 weeks

7.00pm to 9.30pm

Richard Sarell
Kyahl Anderson

$615.00

$61.50


This is a workshop for experienced actors. You will learn the broad array of sophisticated techniques that have been developed at The Rehearsal Room. Making powerful decisions that engage an audience, balancing the character against the action, managing performance intensity and character complexity will all become effectively within your control.

David Paterson Chopper, The Curious Case of Benjamin Button, Saving Mr. Banks, Frost Nixon

I have observed leading teacher directors in the US and UK and Richard shares with them that facility to guide actors through the guff to the heart of the scene.


What will be covered in this course?

1) Master a new acting vocabulary

Put yourself in charge of a new terminology that is totally focused on practical outcomes. The understanding you will achieve of how your acting techniques empower and activate your choices will liberate you.

2) Refine professional skills that put you in charge

These techniques will enable you to stand tall in any professional discussion about character or story and the best ways to deliver them.

3) Avoid making clichéd choices

Actors frequently make predictable choices without even knowing it. The Rehearsal Room techniques will teach you how to avoid the obvious cliché. They will also teach you how to make the obvious choice richly complex and potently real.

4) Learn how to REALLY serve the text

There is much taught about analyzing the text but the majority of that instruction is based on a ‘literary model’. Refine your understanding of story and how the writer creates the script. Put yourself in charge of the interpretation of that script with common sense and powerful techniques that are practical for the actor. This is the powerhouse of the actor’s decision-making process.

5) Realize the connection between physical action and the dialogue

Physical action and the purpose of the conversation are inextricably linked. In life they are united. It must be the same for the actor.

6) Understand the way the actor’s mind makes decisions

Actors frequently make decisions that they ‘feel’ are right but can’t explain with clarity. They can’t explain them because often they don’t actually make sense. Understanding how the mind makes decisions is very useful for the actor.

THIS IS FOR YOU IF...

  • You have good foundations in place and want to build your skills more in a practical and sophisticated way
  • Your understanding of process is strong but you need bigger challenges to stretch your capabilities
  • You love what you do but you want to find out more
  • You want a bigger repertoire of skills to keep a performance fresh and vital
  • You know you can push your skills further but aren’t clear how to do it

IF YOU DON’T HAVE THESE SKILLS …

  • You will make the same mistakes over
  • Will find it hard to change patterns that you know are unproductive
  • Your friends will be polite about your performances but never enthusiastic
  • You will lack confidence that choice you have made is the right one
  • You will believe everything a director tells you even when it doesn’t make sense
  • You won’t be able to interpret direction in a practical way

ABOUT RICHARD...

The major element that excites Richard about The Rehearsal Room acting process is that for thirty years it has continued to evolve. It has never lost any of its original goals but more and more practical ways of fulfilling those goals have continually emerged.

Richard makes sure that there are simple rules that assess the quality and practicality of new understandings. Those rules include...

· is the new concept simple and active

· does the new concept reflect life

· can the whole concept be clearly defined in a very short sentence

· can you do it

· does it produce an instant result.

It’s the possibility of a new discovery that gets Richard out of bed each morning with enthusiasm for the day ahead. The discoveries might come from finding a new perspective on how our minds make decisions in a psychology book. Or it might be some buried ingredient in one of the standard acting texts. But discoveries often come from an actor in a class. Because actors are empowered by The Rehearsal Room process to think about the practicalities of their choices sometimes they have sudden realizations about a new concept. And new techniques often emerge when Richard is trying to find another way to explain an existing concept.

Because the foundations of this process are so strong the new concepts always conform to the original overall goals. But Richard finds it exciting, even inspiring, to see what emerges next. You will find it exciting too. And you will also be inspired to continue the quest for further understanding.


THIS COURSE STARTS - Tuesday 9 Oct 2018

Learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be skilled in auditions. The Advanced Workshop will make you the director’s best friend.

Oct 11

Acting – MASTER CLASS

By Richard Sarell | Acting Classes & Workshops

MASTER CLASS

Dates:

Duration:

Times:

Tutor:

Full Fee:

Deposit:

Thursdays 11 Oct –  13 Dec

10 weeks

7.00pm to 9.30pm

Richard Sarell

$615.00

$61.50


Expand the effectiveness of your skills to a highly professional level. Refine your techniques and practice very effective, uniquely practical add-ons. Directors will love your ability to interpret their notes. In the final session be directed by a guest director.

If you haven't previously studied here you can still audition for a place in the MASTER CLASS

David Paterson Chopper, The Curious Case of Benjamin Button, Saving Mr. Banks, Frost Nixon

I have observed leading teacher directors in the US and UK and Richard shares with them that facility to guide actors through the guff to the heart of the scene.


What will be covered in this course?

1) Stretch your emotional range

The character’s emotions are directly connected to the success or failure they experience at achieving their goals. These techniques teach actors to get the emotional balance right.

2) Engage an audience with the power of the story

Delivering the story is the actor’s primary focus. You will be empowered to engage your audience with the real drama in a very real way.

3) Create richly complex characters

Creating real character’s that function beautifully in different relationships is the pinnacle of the actor’s craft. These simple and logical techniques create richly textured characters in a profoundly simple way.

4) Be in charge of your professional conversations

The Rehearsal Room process will enable you to dissect Directors and Casting Directors intentions. Often you will be able to interpret their goals into actor friendly concepts better than they can. You will be empowered to share in the responsibility of finding both story and character choices.

5) Prepare efficiently and effectively

Being given a task at short notice will no longer frighten you. You will practice being empowered to prepare in either seconds or weeks with techniques that are appropriate and effective. They are proven to work.

6) No longer will you be ruled by acting myths

You will practice techniques that are so logical and so practical that the mumbo-jumbo of many of the acting myths will no longer befuddle your mind and confuse your choices.

THIS IS FOR YOU IF...

  • You have strong foundations of The Rehearsal Room process in place and want to continue to build your skills
  • There are still areas of acting process you wish specifically work on
  • You know that maintaining a craft means constantly practicing
  • You want to catch up with new techniques that have evolved at The Rehearsal Room
  • You want to keep working with actors who use these unique skills

IF YOU DON’T HAVE THESE SKILLS …

  • You will compromise the consistency of your performances
  • Under pressure of an audition you will rush to make ineffective choices
  • You wont be able to process director’s notes effectively
  • You will often be confused about direction and uncertain how to implement it
  • You wont be able to monitor the bad habits that have crept into your work since the last class
  • You will miss out on the fun of the most enjoyable and productive classes in town

ABOUT RICHARD...

Richard loves conducting the MASTER CLASS sessions. It is in these sessions that new articulations of this acting process will emerge. It is here that the learning is shared between the actors and the teacher. Although actors may still be clarifying their understanding of the detail of The Rehearsal Room process in these sessions they are now ready for big challenges and strong critiques. Because we are all measuring performances from the same set of values the discussions are exciting and frank.



As actors negotiate their choices before starting a scene it is very rewarding for Richard to listen to the practical nature of the discussions. It gives him immense satisfaction to hear actors identifying problem areas ahead of time. He often says, “When I hear actors analyzing the potential problems in a scene and sharing a range of simple solutions my spirits instantly rise. One of the main values of this process is to empower actors to see the possible outcomes of their choices while they are still in the preparation stage. It has always been my view,” he says, “that a professional can always fix a problem when it arises. The next step in professionalism is when the actor can anticipate the problem before it arises. I see actors at The Rehearsal Room doing that all the time.”



Richard always remembers the actor who said, “Not only can I make clear choices now; but I can also guess the outcome those choices will generate AND I’m also instantly ready to change them if they don’t work.”



Richard believes those are the professional skills that all actors should be able to deliver with ease


THIS COURSE STARTS -  Thursday 11 Oct 2018

Learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be skilled in auditions. The Advanced Workshop will make you the director’s best friend.

Your content here...

Enter your text here...

Jan 24

Drop In – Wednesdays 2018

By Richard Sarell | Acting Classes & Workshops

'Drop-In' Wednesdays 2018

Dates:

From Wednesday 24 Jan 2018

Duration

Ongoing Weekly

Times

10am to 1pm

Tutor

Richard Sarell

Variable Fee:

$25 per hr to participate in the class (for as long as you stay)

$20 to audit full length class

NOTE:  NO session on Wednesday 19 September 2018


The ultimate ‘Drop-In Workshop”.  You can DROP-IN and do a scene or just DROP-IN and watch.

To work on your scene with another actor you pay $25 an hour.   You buy either 4 hours of class time for $100 (Package 1) or 9 hours of class time for $200 (Package 2).  Use your time in hourly blocks any day that suits you until the end of the year.

Or to watch just pay $20 (on the day).  Stay as long as you like.

IT IS A GOOD IDEA TO BOOK YOUR SPOT …
Email your plans to attend to richard@rehearsalroom.com

Glenn Quinn Mama Mia, Spamelot, Jersey Boys [lead]

I was able to quickly overcome my long held misconceptions about what acting is and was ushered into a place of freedom, spontaneity and freedom with the scene.


What will be covered in this course?

1) Supportive direction will give you the chance to achieve your goals

If you are working on a scene the direction will be tailored to your personal needs. You don’t need to have trained here – Richard will adapt the acting process to support you..

2) Learn the basics of this process and test them out

This is a great way to try out The Rehearsal Room acting process. You can discover whether this approach makes sense for you. Ask questions and try the techniques one step at a time.

3) Practice your established skills and develop new ones

If you are already familiar with these techniques then this is a simple way to expand them further. There is so much information available here that the learning is never ending. Actors just keep growing and growing.

4) Keep exercising your acting muscle

Many actors have noticed that if the training isn’t regular the skills do drop off. This is the perfect way to keep your skills strong and active.

5) Enjoy a relaxed social environment

Enjoy the convivial atmosphere of these classes while you continue to explore the wondrous world of acting. You can make these sessions as challenging or relaxing as you like.

6) Just keep on learning

Actors who keep returning to The Rehearsal Room just see there skills get better and better.

THIS IS FOR YOU IF...

  • You have the foundations of The Rehearsal Room process in place and want to continue to build your skills
  • Or it is for you if you want to gain a basic understanding of this technique
  • You have an acting problem you want to fix
  • You are looking for a stimulating way of freshening up your weekly routine
  • Share your interest in actors with others of like mind

IF YOU DON’T HAVE THESE SKILLS …

  • You will miss out on the fun
  • You could miss finding an acting buddy or a new friend
  • You may never know the way this approach could change your view of acting and increase your skills
  • You will miss sharing stimulating views on a topic you love
  • You will never find out how much your skill could grow from these powerful techniques

ABOUT RICHARD...

Richard finds every workshop provides the opportunity not only for actors to grow more but also for the collective understanding of technique to grow more. The exciting element of these classes is that they train actors to think in a productive way about the practicalities of acting. The discussions are stimulating, purposeful and highly productive. Richard is always on the look out for the new view that he will learn from the next class. Some thought you philosophize about today might well be an exciting basis for tomorrow’s class.

Richard often says, “I get out of bed each day excited by the prospect of an unexpected new discovery.”


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Next Drop In - this Wednesday

Learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be skilled in auditions. At the Wednesday Drop-In you will learn a remarkable variety of skills.