Category Archives for "Acting Classes & Workshops"

Oct 10

The Rehearsal Room – for Kids … 9 – 12 yo

By Richard Sarell | Acting Classes & Workshops

KIDS ...  9 -  12 years old

Dates:

Saturday 10 Oct - 12 Dec

Duration:

10 weeks

Times:

3:00pm - 4:30pm

Tutor:

Silvana Vaxelaire

Fee:

$300

For more about Silvana CLICK HERE


FREE DEMONSTRATION SESSION THIS SATURDAY 3 OCTOBER

Contact Silvana on 0403 254 280

1 hour 30minutes a week

       that will expand your child's creativity, self-awareness and imagination
In a supportive and encouraging environment, these sessions will boost your child's confidence and trust in imaginative play. 


Bring-a-friend and save 20%



What your child will learn?

1) To be playful in an imaginative world

The imagination is an important playground for actors of all ages.  This is a key focus of these sessions.

2) Build confidence in the choices they make

Learning should always be fun and especially so for this age group.  Your child will be supported in enjoying to trust themselves in embarking on their acting adventure.

3) Explore techniques for playing scenes or monologues

Use The Rehearsal Room acting process to explore scenes & monologue work, and develop confidence and trust in themselves and their choices.

4) Experience improvisation techniques

Theatresports exercises are developed deeper, to generate further creativity and stronger impulses

5) Explore the power of the voice

Voice exercises to help them get comfortable with their voice

6) Be skilled at functioning in a group

Acting is a collaborative art.  It provides a great structure to practice sharing ideas, taking direction and developing as a leader..

LEARNING TO BE CREATIVELY PLAYFUL and IMAGINATIVE

THIS IS FOR YOU IF YOUR CHILD ...

  • Has a natural instinct to perform
  • Needs encouraging to explore their imagination
  • Is shy and isn't comfortable in groups
  • Loves stories and storytelling
  • Naturally imitates or impersonates others
  • Requires more creative outlets in their routine

IF YOUR DOESN'T HAVE THESE SKILLS …

  • new environments might stress them
  • they may feel uncomfortable in groups
  • applying themselves to unusual tasks may be more difficult
  • confronting unfamiliar ideas might be challenging
  • adopting leadership roles could be more disconcerting


Contact Silvana to discuss your child's needs ...
0403 254 280

About Silvana...

Silvana Vaxelaire has been acting professionally for 25 years in television, film and theatre. She has appeared in numerous theatre productions across NSW & Victoria, worked in film & television and has worked extensively in children’s theatre, shows, concerts and special events, as a host, teacher, actor, dancer, and choreographer.  

Silvana trained in drama at The Ensemble Studios, NSW, Deakin Univ. Victoria, and many other schools for on-going training; and in dance at Tony Bartuccio’s Dance Centre, Victoria.  She has taught drama for various schools including the Victorian Youth Theatre, Stagecoach, Drama Time, Frankston Arts Centre, and Drama With A Difference, while still performing regularly.  She has also choreographed for several theatre companies, and written short stories and poetry.



Oct 10

The Rehearsal Room – for Kids … 5 – 6 yo

By Richard Sarell | Acting Classes & Workshops

KIDS ...  5 -  6 years old

Dates:

Saturday 10 Oct - 12 Dec

Duration:

10 weeks

Times:

11:00am - 11.45am

Tutor:

Silvana Vaxelaire

Fee:

$150

For more details about Silvana CLICK HERE

FREE DEMONSTRATION SESSION THIS SATURDAY 3 OCTOBER


Contact Silvana on 0403 254 280 for details​

45 minutes a week

       that will expand your child's creativity, self-awareness and imagination
In a supportive and encouraging environment, these sessions will boost your child's confidence and trust in imaginative play. 



What your child will learn?

1) To be playful in an imaginative world

The imagination is an important playground for actors of all ages.  This is a key focus of these sessions.

2) Build confidence in the choices they make

Learning should always be fun and especially so for this age group.  Your child will be supported in enjoying to trust themselves in embarking on their acting adventure.

3) Understand the value of imagination

Imagination is the cornerstone of inventiveness.  Being confident to allow the imagination to freely explore options is a pathway to a productive life.   

4) Experience improvisation techniques

 Theatresports improvisation exercises such as: What are you doing? Lying/Telling the truth/adding a word stories/clapping exercises/mirror exercises will be part of their introduction to the craft of acting.

5) Explore the power of the voice

Voice exercises to help them get comfortable with their voice

6) Be skilled at functioning in a group

Acting is a collaborative art.  It provides a great structure to practice sharing ideas, taking direction and developing as a leader..

LEARNING TO BE CREATIVELY PLAYFUL and IMAGINATIVE

THIS IS FOR YOU IF YOUR CHILD ...

  • Has a natural instinct to perform
  • Needs encouraging to explore their imagination
  • Is shy and isn't comfortable in groups
  • Loves stories and storytelling
  • Naturally imitates or impersonates others
  • Requires more creative outlets in their routine

IF YOUR DOESN'T HAVE THESE SKILLS …

  • new environments might stress them
  • they may feel uncomfortable in groups
  • applying themselves to unusual tasks may be more difficult
  • confronting unfamiliar ideas might be challenging
  • adopting leadership roles could be more disconcerting


Contact Silvana to discuss your child's needs ...
0403 254 280

About Silvana...

Silvana Vaxelaire has been acting professionally for 25 years in television, film and theatre. She has appeared in numerous theatre productions across NSW & Victoria, worked in film & television and has worked extensively in children’s theatre, shows, concerts and special events, as a host, teacher, actor, dancer, and choreographer.  

Silvana trained in drama at The Ensemble Studios, NSW, Deakin Univ. Victoria, and many other schools for on-going training; and in dance at Tony Bartuccio’s Dance Centre, Victoria.  She has taught drama for various schools including the Victorian Youth Theatre, Stagecoach, Drama Time, Frankston Arts Centre, and Drama With A Difference, while still performing regularly.  She has also choreographed for several theatre companies, and written short stories and poetry.


Saturday 10 Oct
11:00am - 11:45am

- A fun way to learn -


Oct 10

The Rehearsal Room – for Kids … 7 – 8 yo

By Richard Sarell | Acting Classes & Workshops

KIDS ...  7 -  8 years old

Dates:

Saturday 10 Oct - 12 Dec

Duration:

10 weeks

Times:

1:00pm - 2:00pm

Tutor:

Silvana Vaxelaire

Fee:

$200

For more details about Silvana CLICK HERE


FREE DEMONSTRATION SESSION THIS SATURDAY 3 OCTOBER

Contact Silvana on 0403 254 280

1 hour a week

       that will expand your child's creativity, self-awareness and imagination
In a supportive and encouraging environment, these sessions will boost your child's confidence and trust in imaginative play. 


Bring-a-friend and save 20%



What your child will learn?

1) To be playful in an imaginative world

The imagination is an important playground for actors of all ages.  This is a key focus of these sessions.

2) Build confidence in the choices they make

Learning should always be fun and especially so for this age group.  Your child will be supported in enjoying to trust themselves in embarking on their acting adventure.

3) Understand the value of imagination

Imagination is the cornerstone of inventiveness.  Being confident to allow the imagination to freely explore options is a pathway to a productive life.   

4) Experience improvisation techniques

 Theatresports improvisation exercises such as: What are you doing? Lying/Telling the truth/adding a word stories/clapping exercises/mirror exercises will be part of their introduction to the craft of acting.

5) Explore the power of the voice

Voice exercises to help them get comfortable with their voice

6) Be skilled at functioning in a group

Acting is a collaborative art.  It provides a great structure to practice sharing ideas, taking direction and developing as a leader..

LEARNING TO BE CREATIVELY PLAYFUL and IMAGINATIVE

THIS IS FOR YOU IF YOUR CHILD ...

  • Has a natural instinct to perform
  • Needs encouraging to explore their imagination
  • Is shy and isn't comfortable in groups
  • Loves stories and storytelling
  • Naturally imitates or impersonates others
  • Requires more creative outlets in their routine

IF YOUR DOESN'T HAVE THESE SKILLS …

  • new environments might stress them
  • they may feel uncomfortable in groups
  • applying themselves to unusual tasks may be more difficult
  • confronting unfamiliar ideas might be challenging
  • adopting leadership roles could be more disconcerting


Contact Silvana to discuss your child's needs ...
0403 254 280

About Silvana...

Silvana Vaxelaire has been acting professionally for 25 years in television, film and theatre. She has appeared in numerous theatre productions across NSW & Victoria, worked in film & television and has worked extensively in children’s theatre, shows, concerts and special events, as a host, teacher, actor, dancer, and choreographer.  

Silvana trained in drama at The Ensemble Studios, NSW, Deakin Univ. Victoria, and many other schools for on-going training; and in dance at Tony Bartuccio’s Dance Centre, Victoria.  She has taught drama for various schools including the Victorian Youth Theatre, Stagecoach, Drama Time, Frankston Arts Centre, and Drama With A Difference, while still performing regularly.  She has also choreographed for several theatre companies, and written short stories and poetry.



Sep 26

WEBINAR 4: The Actor/Director Relationship

By Richard Sarell | Acting Classes & Workshops

WEBINAR 4:  
The Actor/ Director Relationship
(in the audition room)

Dates:

Sat 26 September

Duration:

1.5 hrs

Times:

11am - 12.30pm

Tutors:

Richard Sarell

Fee:

$10


Get WEBINAR 5: FREE if you sign up now for WEBINAR 4:
                                              WEBINAR 4: "The Actor/Director Relationship - in the audition room
                                              WEBINAR 5; "The Actor/Director Relationship - on the set

Director Film 1 Paul Burns

90 minute WEBINAR - $10

Director Film 2 Maggie Brittingham

IN THIS WEBINAR two directors will direct two pairs of actors to audition for a character in their short film.   (ACTORS PLEASE NOTE: Although these stories are yet to be shot the castings on this occasion are for the purposes of the Webinar.  The ultimate casting for the shoot will be an entirely separate process.)  Actors can now apply to audition for a role in this Webinar by submitting a self test audition.  Some actors will be chosen directly from the self test, others will perform their callback audition as part of WEBINAR 4: on Saturday 26 September at 11:00am.  More information for Directors HERE.

HERE.

ACTOR'S AUDITIONS - for five characters in two different films.

            FILM 1:    AMELIA (25 - 35);  SIAN (40 - 50) and JESSIE (50 - 60)

              FILM 2:       MUM - Julia (40 - 45) and DAD - David (45 - 50)

The Webinar Difference:  Actors must enrol in the Webinar to be able to apply to audition. ENROL HERE ($10)

EVERY ACTOR WHO APPLIES WILL GET TO SUBMIT A SELF TEST FOR THE CHARACTER OF THEIR CHOICE. DEADLINE FOR SELF TESTS IS 5PM TUESDAY 22 September - all auditioners will receive personal, individual feedback from Richard Sarell.

THE WEBINAR PLAN
The two directors are both Honours students.  The films are their final exercise to complete their degree.  Initially actors will be selected from their self test audition. Then some of the actors will be directed in a call back audition at 11:00am Saturday 26 September as part of WEBINAR 4:   The final selection will be made as result of the callbacks.

On Sunday 3 October at 7pm in WEBINAR 5: the successful actors will be directed in another scene from these two short films.

There will be two separate Webinars on the actor/director relationship. During the webinar both directors and actors will receive feedback on the effectiveness of their communications.

THE AIM
Ground Zero for actors and directors is the actual time on set when they are working together.  The focus of these sessions is to learn how actors and directors can best collaborate to produce the dream production they are both working towards.

New creative partnerships might blossom from this collaboration.

THE COST
The cost of each of these one and a half hour webinars is $10 per participant.

ACTORS - once you are enrolled email Richard@rehearsalroom.com with the name of the character you wish to audition for in the subject line.  Richard will then forward you the script.

The deadline for your self test submission is Tuesday 22 September 5pm.
The directors will choose the candidates for the callback audition on Saturday 26 September at 11am.
EACH ACTOR THAT SUBMITS WILL INDEPENDENTLY RECEIVE PERSONAL FEEDBACK FROM RICHARD about their audition.

DIRECTORS can still apply
If you would like the opportunity to actively participate in future Webinars on the actor/director relationship - choose a script - it should be a short film of approximately 10 - 15 minutes that you own or have copyright clearance on.

Then all you have to do is ...

  1. email Richard@rehearsalroom.com
  2. put "Actor/Director WEBINAR" in the subject line
  3. In the body of the email provide a short description of yourself by way of an introduction.
  4. Include a one sentence description of the film you wish to use and the age range of the characters you require.


LEARN TO GENERATE PERFORMANCES THAT ARE CREATIVELY PLAYFUL and CONVINCINGLY REAL


THIS IS FOR YOU IF...

  • Clear and logical explanations work for you
  • An acting adventure is always fun
  • You love being involved with the development of new ideas
  • Understanding more about the actors and directors skill is your passion
  • Feel you often fall into the same traps
  • Often aren't clear about your choices so you just wing it.

IF YOU DON’T HAVE THESE SKILLS …

  • rather than being relaxed at tackling new ideas you will be stressed
  • you could restrict your openness to new processes
  • applying yourself to unusual tasks will be challenging
  • making the obvious choice will become a more regular trap
  • you won't be confident about floating an unusual idea
  • the same mistakes will continue to occur

ABOUT RICHARD...

Over his twenty-five year directing career Richard found that that there were many unusual behaviours that he would have to encourage actors to adopt for their character.  One thing became quickly plain.  No matter how odd the behaviour was there was always a conscious or unconscious reason driving it.  Everything happened for a reason.

Working out how and why unusual behaviours occurred was fascinating.  Then learning to translate that knowledge into acting technique was another fascinating challenge. He became very skilled at it.

Actors have to do the same thing.  On some occasions they too are confronted by the unusual and have to start from scratch to work out a practical way to apply a new understanding to a performance.

This webinar will also therefore explore learning how to learn.


WEBINAR 4:
Saturday 26 Sept
11:00am to 12:30pm

Have a fun time learning. 



YOU CAN ADD YOUR NAME TO THE eNEWSLETTER MAILING LIST HERE.


Sep 12

WEBINAR 3: Playing Drunk

By Richard Sarell | Acting Classes & Workshops

WEBINAR 3:  Playing Drunk (or anything else)

Dates:

Sat 12 September

Duration:

1.5 hrs

Times:

11am - 12.30pm

Tutors:

Richard Sarell

Fee:

$10


90 minute WEBINAR - $10

                                         ... or bring-a-friend  -  $5 each
There are three common mistakes actors make.  Playing Drunk is one situation in which you could make all three mistakes.  We will use this exercise to discover how to follow a simple and effective decision-making path no matter what acting decision you are making. 

Acting tasks such as playing drunk don't come along very often  -  take this opportunity to be ready to apply yourself to that unusual acting challenge.

LET'S HAVE SOME FUN TESTING OUT THE OPTIONS.

There are very different levels of drunken behaviour.

After two groundbreaking webinars that explore powerful new preparation techniques - this webinar is ... "play time"!!!

That's the plan for WEBINAR 3.          ENROL HERE


In our first 'eye-popping' Webinar "ANATOMY OF A SELF TEST AUDITION" we saw that 68% of actors fell into a basic self test trap.  If you don't know what the trap is  ... you will  fall into it, too!!! 

In Webinar 2: "Improving Your Self Test" six actors tried out our new techniques with outstanding success.  Jump on board for Webinar 3: to find out what happens next.


LEARN TO BE CREATIVELY PLAYFUL and CONVINCINGLY REAL

IMPORTANT:   

Be prepared to do some acting in this session.
Learn a short speech (15 seconds) or learn a short scene with a friend (1 minute)
You could be invited to test out an exercise.


What you will learn in this session?

1) There are many ways to play drunk or drugged

In this session we will explore as many as we can.  Find out which approaches work for you.

2) Analyse different levels of inebriation

You will be able to assess the effectiveness of these techniques yourself.

3) How different actors applying the same parameters reach different results

This will be a greenhouse for the development and growth of our concepts.  

4) Actors will grow their understanding of how to improve their choices

By changing the choices and measuring the outcomes actor will learn to be more flexible and creative.  They will be gain a new confidence when taking direction.

5) Bring your ideas and learn how to learn

Acting is a collaborative art.  Practice sharing ideas and taking direction.

THIS IS FOR YOU IF...

  • Clear and logical explanations work for you
  • An acting adventure is always fun
  • You love being involved with the development of new ideas
  • Understanding more about the actors skill is your passion
  • Feel you often fall into the same traps
  • Often aren't clear about your choices so you just wing it.

IF YOU DON’T HAVE THESE SKILLS …

  • rather than being relaxed at tackling new ideas you will be stressed
  • you could restrict your openness to new processes
  • applying yourself to unusual tasks will be challenging
  • making the obvious choice will become a more regular trap
  • you won't be confident about floating an unusual idea
  • the same mistakes will continue to occur

ABOUT RICHARD...

Over his twenty-five year directing career Richard found that that there were many unusual behaviours that he would have to encourage actors to adopt for their character.  One thing became quickly plain.  No matter how odd the behaviour was there was always a conscious or unconscious reason driving it.  Everything happened for a reason.

Working out how and why unusual behaviours occurred was fascinating.  Then learning to translate that knowledge into acting technique was another fascinating challenge. He became very skilled at it.

Actors have to do the same thing.  On some occasions they too are confronted by the unusual and have to start from scratch to work out a practical way to apply a new understanding to a performance.

This webinar will also therefore explore learning how to learn.


Saturday 12 Sept
11:00am to 12:30pm

Have a fun time learning. 

YOU CAN ADD YOUR NAME TO THE eNEWSLETTER MAILING LIST HERE.


Jan 24

The Salon (weekday evening)

By Richard Sarell | Acting Classes & Workshops

The Salon (week nights)

Dates:

Duration:

Times:

Tutor:

Full Fee:

Deposit:

TBA - WEEKDAY EVENINGS

4 weeks OR 8 weeks

7pm to 9.30pm weeknights 

Richard Sarell

$250 or $500 weeknights

$61.50

"The Salon"  -  a place for working professionals to practice their skills and explore techniques.

Actors bring their own scenes and determine their own focus for sessions or can choose to use scenes from The Rehearsal Room's files
  

Trained actors and working actors can use The Salon to keep exploring their craft. Supported by an experienced professional director they can also choose to record their scenes or exercises on video to study or analyse before their next session.

David Paterson Chopper, The Curious Case of Benjamin Button, Saving Mr. Banks, Frost Nixon

I have observed leading teacher directors in the US and UK and Richard shares with them that facility to guide actors through the guff to the heart of the scene.


What does The Salon provide?

1) A supportive environment to explore your chosen goal

Experienced actors know what they need to work on.  Sometimes they just want to keep working.  That's what The Salon provides - a chance to follow the creative performance path each individual wants to explore.

2) Professional advice and support

Guidance can be helpful to expand challenges or suggest solutions.  Richard Sarell's professional expertise enables him to offer encouragement or alternative options to a variety of performance processes.  Often the best guidance simply clarifies that the actor is on the right path.  Richard will support in actor in their goals.

3) Well organised and productive sessions

A professional working space makes sure that individuals are respected and that goals are clearly organised.  The Salon operates on the basis that actors are clear about their purpose so that they can assess their progress or achievements.

4) Logical and professional strategies will apply

Assessments by other actors and Richard will be logical and clearly argued.  That way they are supportive and the critique is helpful.  Statements such as "I feel that worked" or "I feel that didn't work" are not specific enough.  Debate will be based on clear reasons.

5) Opportunity to expand techniques

Richard specializes in very effective and efficient techniques that have evolved to work at the speed required for TV and screen.  One technique equips actors with between 2 - 10 minutes preparation to attend an audition with 9 options to offer. And switching between those options during an audition takes between 10 - 20 seconds.  Actors interested in exploring those and similar techniques can choose to do so.

6) Flexible use of the time and space

Actors will be supported in using the time and space in the most efficient way to make sure they gain maximum benefit from the sessions

THIS IS FOR YOU IF...

  • You have a strong foundation to your acting process and you want to keep working
  • You have had difficulty finding a supportive professional place to work at expanding your skills
  • You know that maintaining your craft means constantly practicing
  • You are committed to your skills but have an open mind to assess the value of new techniques
  • You are confused about some aspects of acting technique and are seeking some clarification

THIS IS NOT FOR YOU IF …

  • Your acting process is well oiled, working beautifully and requires no further practice
  • Doubts about your choices for a scene never happen and you are always confident of your preparation for auditions
  • Working quickly for screen performances is no problem for you and you always have lots of options
  • It is too hard to find 2.5 hours a week to work on your acting in your current schedule
  • Missing out on the fun of this great experience won't bother you    🙂

ABOUT RICHARD...

Over 25 years working as a professional TV director Richard worked with actors with widely ranging skill sets.  From the trained but inexperienced to the totally untrained to the highly trained and very experienced.  He always remembers with pride that after giving notes to WAPA trained actor Niki Wendt on the second series of "Embassy" British actor Brian Marshall commented, "That direction was pure Stanislavski." 


Because some actors were not formally trained Richard had to evolve a variety of methods of dealing with them and that's the source of his range of skills to help steer an actor through a scene.  He loves discussing the nuances of acting but does so in very practical ways.  Sharing his views of acting process with actors who have wide experience and skills is very rewarding for him. 

In November 2017 The Rehearsal Room techniques were thoroughly tested in a production of Shelagh Stephenson's "The Memory of Water" which Richard directed. The response from critics and audiences was fantastic.  They loved the vibrantly fresh performances.   

One exciting aspect of  this production was that performances were different every night.  There were eleven performances and eleven different endings.  Despite the changes the actors spontaneously brought to each performance the same story was delivered in each show. The result was a rich lifelike spontaneity.  Critics comments such as ... the "performers are subtle, connected, and more truthful with a whisper than many an actor is with a holler" and "truthful to the point we forgot we were seeing a play" ... reveal the success of this approach.

 Richard often says, “When I hear actors analyzing the potential problems in a scene and sharing a range of simple solutions my spirits instantly rise."  His unwavering belief is that actors need to be in charge of their choices.









THE FIRST SALON SESSION CAN START AS SOON AS THERE ARE ACTORS TO FILL IT.




EXPRESS YOUR INTEREST BELOW

Oct 11

WEBINAR 6: The Actor/Director Relationship Pt3

By Richard Sarell | Acting Classes & Workshops

WEBINAR 6:  FREE
The Actor/ Director Relationship
(on the set)

Dates:

Sunday 11 October

Duration:

1 hour 30 minutes

Times:

6:30pm - 8:00pm

Tutors:

Richard Sarell

Fee:

FREE         (usually $10AUD)


5 star rating


THE SECOND FREE FIVE STAR WEBINAR

 WEBINAR 6; "The Actor/Director Relationship Pt 3" - working on the set

THIS WEBINAR will explore the techniques that lead to a clear actor/director communication.  ​How to give direction and how to take direction is the focus of this Webinar.

WEBINAR 6: on Sunday 11 October 2020
6:30pm Melbourne;  9:30pm Auckland;  9:30am London
More information for Directors HERE.

IN WEBINAR 4 - the actors were cast
IN WEBINAR 5 - we explore fantastic, simple techniques that enable actors to create characters and change them in seconds.  Director's to control the outcomes and the discussion.
THEN IN WEBINAR 6 - the directors apply the processes and the actors deliver their performances.

Alec Hartnell

"

Richard Sarell is one of the best teachers of acting. The world is lucky to have him in it and I’m so happy I found The Rehearsal Room. Wish I found it years ago! Time and money well spent!

5-STARS

Alec Hartnellactor

THE WEBINAR PLAN
To explore the techniques that have been 35 years in development to bring a new clarity to acting technique.  Why 70% of actors make the same mistake in the audition room and how to fix it is the latest revelation from this remarkable approach.

These processes will be shared with two emerging directors so that they can then test them out directing four actors in two different scenes.

WEBINAR 5: explains these powerful techniques.
WEBINAR 6: actors and directors apply them and test them out.

​In future webinars you could be one of the actors to explore the processes.

THE AIM
Ground Zero for actors and directors is the actual time on set when they are working together.  The focus of these sessions is to learn how actors and directors can best collaborate to produce the dream production they are both working towards.

New creative partnerships might blossom from this collaboration.

THE COST
The cost of these one and a half hour webinars is usually $10 per participant - but these next two sessions are FREE.

Elizabeth O'Callaghan

"

Richard Sarell is a Master of his craft! In just 90 minutes he delivered a comprehensive webinar, provided many useful tools and devices to explore, as well as a thought provoking discussion.  Really looking forward to the next webinar on the Actor Director relationship.

5-STARS

Elizabeth O'Callaghan actor

DIRECTORS can still apply
If you would like the opportunity to actively participate in future Webinars on the actor/director relationship - choose a script - it should be a short film of approximately 10 - 15 minutes that you own or have copyright clearance on.

Then all you have to do is ...

  1. email Richard@rehearsalroom.com
  2. put "Actor/Director WEBINAR" in the subject line
  3. In the body of the email provide a short description of yourself by way of an introduction.
  4. Include a one sentence description of the film you wish to use and the age range of the characters you require.


LEARN TO GENERATE PERFORMANCES THAT ARE CREATIVELY PLAYFUL and CONVINCINGLY REAL


THIS IS FOR YOU IF...

  • Clear and logical explanations work for you
  • An acting adventure is always fun
  • You love being involved with the development of new ideas
  • Understanding more about the actors and directors skill is your passion
  • Feel you often fall into the same traps
  • Often aren't clear about your choices so you just wing it.

IF YOU DON’T HAVE THESE SKILLS …

  • rather than being relaxed at tackling new ideas you will be stressed
  • you could restrict your openness to new processes
  • applying yourself to unusual tasks will be challenging
  • making the obvious choice will become a more regular trap
  • you won't be confident about floating an unusual idea
  • the same mistakes will continue to occur

ABOUT RICHARD...

Over his twenty-five year directing career Richard found that that there were many unusual behaviours that he would have to encourage actors to adopt for their character.  One thing became quickly plain.  No matter how odd the behaviour was there was always a conscious or unconscious reason driving it.  Everything happened for a reason.

Working out how and why unusual behaviours occurred was fascinating.  Then learning to translate that knowledge into acting technique was another fascinating challenge. He became very skilled at it.

Actors have to do the same thing.  On some occasions they too are confronted by the unusual and have to start from scratch to work out a practical way to apply a new understanding to a performance.

This webinar will also therefore explore learning how to learn.


WEBINAR 6:
Sunday 11 Oct
6:30pm Melbourne;  9:30pm Auckland;  9:30am London

Have a fun time learning. 



YOU CAN ADD YOUR NAME TO THE eNEWSLETTER MAILING LIST HERE.


Oct 04

WEBINAR 5: The Actor/Director Relationship Pt2

By Richard Sarell | Acting Classes & Workshops

WEBINAR 5:  FREE
The Actor/ Director Relationship
(from audition to the set)

Dates:

Sunday 4 October

Duration:

1 hour 30 minutes

Times:

6:30pm - 8:00pm

Tutors:

Richard Sarell

Fee:

FREE         (usually $10AU)


5 star rating


TWO FIVE STAR WEBINARS FREE

                                        WEBINAR 5: "The Actor/Director Relationship Pt2" - learn this unique technique
                                        WEBINAR 6; "The Actor/Director Relationship Pt 3" - apply it on the set

THIS WEBINAR will explore the techniques that lead to a clear actor/director communication.  Learn how to control and change both the character and what is unfolding in any scene in seconds.  This effective approach to process empowers both the actor and the director to make clear and quick decisions.

WEBINAR 5: on Sunday 4 October 2020
6:30pm Melbourne;  9:30pm Auckland;  9:30am London
More information for Directors HERE.

IN WEBINAR 4 - the actors were cast
NOW IN WEBINAR 5 - we explore fantastic, simple techniques that enable actors to create characters and change them in seconds.  Director's to control the outcomes and the discussion
THEN IN WEBINAR 6 - the directors apply the processes and the actors deliver their performances.

Samantha Jones

"

If you are looking for a platform that cultivates professional and successful acting, then this is the place. The atmosphere is positive and approachable. One of my favourite classes of my career. (Webinar 4:)

5-STARS

Samantha Jones actor

THE WEBINAR PLAN
To explore the techniques that have been 35 years in development to bring a new clarity to acting technique.  Why 70% of actors make the same mistake in the audition room and how to fix it is the latest revelation from this remarkable approach.

These processes will be shared with two emerging directors so that they can then test them out directing four actors in two different scenes.

WEBINAR 5: explains these powerful techniques.
WEBINAR 6: actors and directors apply them and test them out.

​In future webinars you could be one of the actors to explore the processes.

THE AIM
Ground Zero for actors and directors is the actual time on set when they are working together.  The focus of these sessions is to learn how actors and directors can best collaborate to produce the dream production they are both working towards.

New creative partnerships might blossom from this collaboration.

THE COST
The cost of these one and a half hour webinars is usually $10 per participant - but these next two sessions are FREE.

Janet Watson-Kruse

"

This was unbelievably good value  -  one and a half hours of gold from a master teacher.  (Webinar 3:)

5-STARS

Janet Watson-Kruse actor

DIRECTORS can still apply
If you would like the opportunity to actively participate in future Webinars on the actor/director relationship - choose a script - it should be a short film of approximately 10 - 15 minutes that you own or have copyright clearance on.

Then all you have to do is ...

  1. email Richard@rehearsalroom.com
  2. put "Actor/Director WEBINAR" in the subject line
  3. In the body of the email provide a short description of yourself by way of an introduction.
  4. Include a one sentence description of the film you wish to use and the age range of the characters you require.


LEARN TO GENERATE PERFORMANCES THAT ARE CREATIVELY PLAYFUL and CONVINCINGLY REAL


THIS IS FOR YOU IF...

  • Clear and logical explanations work for you
  • An acting adventure is always fun
  • You love being involved with the development of new ideas
  • Understanding more about the actors and directors skill is your passion
  • Feel you often fall into the same traps
  • Often aren't clear about your choices so you just wing it.

IF YOU DON’T HAVE THESE SKILLS …

  • rather than being relaxed at tackling new ideas you will be stressed
  • you could restrict your openness to new processes
  • applying yourself to unusual tasks will be challenging
  • making the obvious choice will become a more regular trap
  • you won't be confident about floating an unusual idea
  • the same mistakes will continue to occur

ABOUT RICHARD...

Over his twenty-five year directing career Richard found that that there were many unusual behaviours that he would have to encourage actors to adopt for their character.  One thing became quickly plain.  No matter how odd the behaviour was there was always a conscious or unconscious reason driving it.  Everything happened for a reason.

Working out how and why unusual behaviours occurred was fascinating.  Then learning to translate that knowledge into acting technique was another fascinating challenge. He became very skilled at it.

Actors have to do the same thing.  On some occasions they too are confronted by the unusual and have to start from scratch to work out a practical way to apply a new understanding to a performance.

This webinar will also therefore explore learning how to learn.


WEBINAR 5:
Sunday 4 Oct
6:30pm Melbourne;  9:30pm Auckland;  9:30am London

Have a fun time learning. 



YOU CAN ADD YOUR NAME TO THE eNEWSLETTER MAILING LIST HERE.


Aug 29

WEBINAR 2: Improving Your Self Test

By Richard Sarell | Acting Classes & Workshops

WEBINAR 2:  Improving Your Self Test
            The Recording

Dates:

Sat 29 August

Duration:

1.5 hrs

Times:

11am - 12.30pm

Tutors:

Richard Sarell

Fee:

$10


90 minute WEBINAR - $10

IMPORTANT:  When you are enrolled make sure you download the scripts. That way you can do all the exercises and compare your choices to the participating actors.  MAKE THE MOST OF THIS UNIQUE LEARNING EXPERIENCE.

DID YOU DO WELL IN YOUR LAST SELF TEST AUDITION?
68% of actors create unlikeable characters
50% of actors create antagonist characters
THOSE WERE THE FINDINGS THAT RESULTED FROM OUR FIRST SELF TEST AUDITION WORKSHOP.

If your audience doesn't like your character why would they want to watch your story!!
If you create unlikeable characters why would a Casting Director cast you!!

What makes a character unlikeable?
How do you create a likeable one?
That's what we explore in WEBINAR 2.           VIEW HERE


In our first 'eye-popping' Webinar "ANATOMY OF A SELF TEST AUDITION" we saw that 68% of actors fell into a basic self test trap.  If you don't know what the trap is  ... you will  fall into it, too!!! 

ENROL NOW - DON'T DELAY
Make sure your name is on the enrolment list because on Wednesday 22 August at 6pm SIX ACTORS WILL BE RANDOMLY CHOSEN from the list to be the ones to demonstrate the new techniques we are going to explore.Enter your text here...

TESTING OUT THE REMEDIES
Every problem needs a remedy.  Now that we know what the problem is, in Webinar 2 we will test out remedies.  That's what The Rehearsal Room does best -  we find fabulously practical techniques that are really effective at lifting the quality of a performance.

HERE IS THE GOOD NEWS ...

  • ON SATURDAY (in Webinar 1) we discovered a significant SELF TEST TRAP for actors and began suggesting remedies.
  • ON SUNDAY in our Drop In Session one actor tested out a remedy she had worked out. The result ... huge improvements in the performance outcomes.  She got a lot better.
  • ON TUESDAY in an evening class another actor tried his remedy for the problem. The result ... huge improvements in performance outcomes.  He got a lot better.
  • ON SATURDAY, in Webinar 2 you can be part of the next level of testing of these exciting concepts.  ENROL NOW.

MAKING BETTER DECISIONS:  In Webinar 2 actors will apply OUR BRAND NEW TECHNIQUES to test out how it works in a practical sense.  Already actors are applying this technique of their own volition and finding that it works.

READY TO ENROL NOW CLICK HERE
Get 50% discount with the Bring-a-Friend ticket when you book


LEARN TO BE CREATIVELY CONFIDENT IN AN AUDITION


What you will learn in this session?

1) Whether the techniques work or not

Techniques that were developed as an exercise for the last Webinar appear to have a really practical application.  In this webinar six actors will test their actual effectiveness

2) The value of these techniques will be revealed

You will be able to assess the effectiveness of these techniques yourself and contribute to debate about how to change and improve them.  Their value will be judged by you..

3) How different actors applying the same parameters reach different results

This will be a greenhouse for the development and growth of our seedling concepts.  Your ideas can contribute the fertilizer to encourage the growth.

4) Actors will grow their understanding of how to improve their choices

By changing the choices and measuring the outcomes actor will learn to be more flexible and creative.  They will be gain a new confidence when taking direction.

5) Directors will discover how best to manipulate an actor's mind

Different actors respond differently to the same suggestion.  A variety of directing techniques will be explored.

THIS IS FOR YOU IF...

  • Clear and logical explanations work for you
  • Webinar 1 was exciting and very stimulating for you
  • You love being involved with the development of new ideas
  • Understanding more about the actors skill is your passion
  • Feel you often fall into the same traps
  • Often aren't clear about your choices so you just wing it.

IF YOU DON’T HAVE THESE SKILLS …

  • rather than being relaxed, flexible and confident you will be stressed
  • you wont have a professional understanding of the audition process
  • confusing choices will be hard to resolve
  • your audition will be the same as everyone else's
  • rigidity in your choices will be the norm
  • the same mistakes will continue to occur

ABOUT RICHARD...

Over his twenty-five year directing career Richard found that many actors he auditioned didn’t actually listen in auditions.  He realised that it took many years of experience for actors to come to terms with and understand the audition process.

Having a practical understanding of what the actor's job is when auditioning is a massive help in enabling an actor to audition well.  Self test have added a whole new layer of complications.  Plus there are many myths about auditions and many confusions about what Casting Directors and directors are looking for.

Richard continues to analyze actors choices to define which ones are productive so that the actors he trains are equipped to make pro-active choices.  

Because our minds all work in the same way understanding actor's, like any of us, can make choices without knowing that they have made them.  Richard's aim is to put the actor in charge of their choices.


Saturday 29 August
11:00am to 12:30pm

Learn skills you will use throughout your career. 

YOU CAN ADD YOUR NAME TO THE eNEWSLETTER MAILING LIST HERE.


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