Monthly Archives: July 2017

Successes of the Month
Jul 31

On the Job

By Richard Sarell | News

DANIEL Di GIOVANNI has been on air as a core cast member in the ABC’s “Ronny Chieng: International Student” comedy series. Daniel also shot a Coles commercial in which he was cast without auditioning. His previous auditions were obviously strong enough to get him this gig.

YASMIN BUSHBY is on a roll. She has recently completed 3 big projects.  Yasmin has been writing, producing and presenting a series of 26 sustainability-focussed videos for the City of Melbourne. All completed in time for Al Gore arriving in Melbourne a couple of weeks ago. She was also the featured role in a recent Coles commercial. And she is currently presenting an eight video series in Sydney and Melbourne for a big-name company. This shoot is underway at this moment.

DARREN MORT will shortly be making a return to Neighbours to reprise a guest character he has played before (no audition required).

ANTE KRESO appeared in “Offspring” with very positive feedback from the production about his work.

BRUNO STEPNELL has just completed a 2-day shoot for Neighbours.

ANDREA McCANNON and SIMONE BALL appeared in the same episode of True Story with Hamish & Andy.

MAXWELL SIMON after a great finish to his Bachelor of Fine Arts (Music Theatre) at the VCA has just finished his first professional gig – one of the lead roles in the new Australian musical ‘Between Worlds’. Well done Max.
Check this out … https://www.youtube.com/watch?v=8yVgaHZwDlg

Congratulations to all. It has been a busy month.

Jul 24

Totally Truthful and Compelling to Watch

By Richard Sarell | News

Every so often, something so outstanding happens that its importance needs to be recorded. Last week ANDREA McCANNON’S performance in Wednesday evening’s ‘Eclat’ MASTER CLASS was such an occasion. ANDREA delivered a fabulous 6 minute 45 second blemish free performance recorded in one take.

At The Rehearsal Room, as actors progress through the various levels of the classes they work on longer and longer scenes. That’s because the challenge for the actor to keep a scene engaging for the audience increases considerably as the length of the scene grows. This scene was nearly seven minutes long! That’s unusually long for a TV script.  There were plenty of challenges here, yet ANDREA made it look easy.

This exceptional performance was totally engaging, compellingly real, charming and thoroughly entertaining. Fine work.

ANDREA’S association with The Rehearsal Room began in 2005. She started in the Intermediate Sunday Workshop and has continued to return over the years.

The next Sunday Intermediate Workshop commences on Sunday 6 August at 2pm.  Enrol here.

Jul 11

Online Acting Class – Creating Character PREMIER

By Richard Sarell | Online Classes

Online Acting Class  "Creating a Character in 10 Seconds PREMIER"

Dates:

Duration:

Tutor:

45% DISCOUNT


Available now

Ten Tutorials in your own time

Richard Sarell

A once only offer $220
(full price $480)

NEW INTAKE of 8 Actors - supervised lessons - one-on-one feedback
Last chance to join this intake                                   Next intake September

When auditioning an actor has two tasks. The first is to deliver the story. The second is to create the character. This Online Acting Class gives you the tools to create a vast range of different characters quickly. That's what you need when auditioning. Offering a credible character and being ready to change a lot if the director wants something different are essential skills. This course provides practical skills that are more efficient and more effective than out-dated traditional processes.

One-on-one coaching details ...

ONE-ON-ONE supervision with director, Richard Sarell, makes this acting class perfect for the beginner actor and an exciting challenge for the experienced professional.  Be guided to master professional skills that create or change a character in 10 seconds - exactly what you need when auditioning.

It is an advanced approach to an online acting class that is clear, logical, easy to apply and you can instantly see results.

ENROL NOW and receive a 12-month subscription to an ever-increasing list of very practical acting tips for FREE.
ACTING TIPS TO INSPIRE - free with this purchase

There are many exercises for you to build your skills

HOW THE ONLINE ACTING CLASS WORKS
There are
10 video tutorials for you.  Thirty exercises will build your skill plus quizzes to test your learning and many downloads with valuable information.

You can join the six actors who came together to test out these techniques for character creation. We recorded their journey of discovery to share with you. This is a new approach. Share the experience with the actors as they learn techniques that deliver in seconds a clear pathway to creating character.  You will learn with them.  And you can do the exercises, too. 

ONGOING UPDATES ARE AUTOMATICALLY EMAILED TO YOU

Click HERE to read the terms and conditions

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Jul 08

The Salon

By Richard Sarell | Acting Classes & Workshops

The Salon - Monday evenings

Dates:

Duration:

Times:

Tutor:

Deposit:

Full Fee:

12 Aug - 2 Sept

4 weeks
(8 week option available)

7pm to 9:30pm

Richard Sarell

$62.50

$250 (4 weeks) OR $495  (8 weeks)


ALSO AVAILABLE ON SUNDAYS ...

ATTENTION: PROFESSIONAL ACTORS

Do you fear when you enter the audition room that you are rusty!!  The actor with the best chance of getting the gig is the one who has just finished one. That's because they have been working.

Do you want to keep working? If you want to keep your professional audition skills up to speed, you can now keep stretching your acting muscles in a supportive professional environment.  A place which encourages you to try new things and test established process.  A place that supports you to fail forward.  Imagine walking away from a session not questioning if you are good enough, but questioning how far you can take it.

Imagine walking into your next audition knowing that your professional audition skills are super charged.

"The Salon" is a place for working professionals to practice their skills and explore techniques. Actors bring their own scenes and determine their own focus for sessions, thereby being in charge of their destiny (use scenes from The Rehearsal Room files if you wish). Supported by an experienced professional director (Richard Sarell) actors can choose to record their work on video to analyse before their next session.

David Paterson Chopper, The Curious Case of Benjamin Button, Saving Mr. Banks, Frost Nixon

I have observed leading teacher directors in the US and UK and Richard shares with them that facility to guide actors through the guff to the heart of the scene.


What does The Salon provide?

1) The chance to be work ready for your next audition

Do you feel those audition nerves kick in because you know your professional audition skills are rusty?  The Salon is the place where you can stretch your acting muscles and maintain a healthy actor's mind. Enter your next audition with confidence that you are work ready.

2) A supportive working environment

Do you find acting teachers tell you how to do an audition rather than provide you with options? Experienced actors know what they need to work on - they just need practical suggestions.  That's what The Salon provides - a chance to follow your own creative learning path.  

3) Professional advice and support

Your acting skills are what is on display in the audition room.  Richard is expert at explaining simple practical tools  that translate into flexible techniques in the audition room. He is also expert at listening to your goals.  Imagine having simple solutions that are exciting to apply.

4) Well organised sessions

Do you often find the loudest or most needy actor can dominate a group?  A professional working space makes sure that individuals are respected and that goals are clearly organised.  That is why The Salon requires actors to be clear about their purpose so that they can accurately assess their progress.  

5) Logical and professional strategies

Do you often feel that a teacher's direction for a scene is based on their personal preference rather than a valid alternative? It is essential for a good relationship that both the actor and the teacher must be able to explain the logic and the value of their choices.  The value of a choice connects directly to the telling of the story, the relationship of the characters and logical detail of the circumstances.  If it can't be explained simply it isn't a practical performance option.

6) Opportunity to expand techniques

Do you often feel that an acting class just offers the same tired old explanations?  A host of new very practical techniques are on offer.  Can you turn up to an audition with NINE performance choices that took you less than 10 minutes to prepare that you can switch between in seconds?  Explore these professional audition skills, if you wish.

7) Flexible use of the time and space

Do you often feel that class time is wasted meaning you don't get your money's worth?  Actors will be supported in using the time and space in the most efficient way to make sure they gain maximum benefit from the sessions

THIS IS FOR YOU IF...

  • A strong foundation to your acting process is your ongoing quest
  • It is difficult to find a supportive professional place to work at expanding your skills
  • You know that maintaining your craft means constantly practicing
  • Keeping exercising your acting muscle is a priority
  • Some aspects of acting technique are confusing and you need some clarification of professional auditioning skills

THIS IS NOT FOR YOU IF …

  • Your acting process is well oiled, working beautifully and requires no further practice
  • Doubts about your choices for a scene never happen and you are always confident of your preparation for auditions
  • Working quickly for screen performances is no problem for you and you always have lots of options
  • It is too hard to find 4 hours a week to work on your acting in your current schedule
  • Missing out on the fun of this great experience won't bother you    🙂

ABOUT RICHARD...

Over 25 years working as a professional TV director Richard worked with actors with widely ranging skill sets. From the trained but inexperienced to the totally untrained to the highly trained and very experienced. He always remembers with pride that after giving notes to WAPA trained actor Niki Wendt on the second series of "Embassy" British actor Brian Marshall commented, "That direction was pure Stanislavski."

Because some actors were not formally trained Richard had to evolve a variety of methods of dealing with them. That's the source of his range of skills that help steer an actor through a scene.

In November 2017 The Rehearsal Room techniques were thoroughly tested in a production of Shelagh Stephenson's "The Memory of Water" which Richard directed. The response from critics and audiences was fantastic. They loved the vibrantly fresh performances.

One exciting aspect of this production was that performances were different every night. There were eleven performances and eleven different endings. Despite the changes the actors spontaneously brought to each performance the same story was delivered in each show. The result was a rich lifelike spontaneity. Critics comments such as ... the "performers are subtle, connected, and more truthful with a whisper than many an actor is with a holler" and "truthful to the point we forgot we were seeing a play" ... reveal the success of this approach.

Richard often says, “When I hear actors analyzing the potential problems in a scene and sharing a range of simple solutions my spirits instantly rise." His unwavering belief is that actors need to be in charge of their choices.

ARE YOU INTERESTED?   LET ME KNOW HERE

The world of acting’s is competitive enough! Are you sick of acting classes that feel competitive, unsupportive and just plain intimidating?


THE NEXT SALON SESSION STARTS ON 12 August

Jul 06

AUDITIONING for TV COMMERCIALS

By Richard Sarell | Intensives

AUDITIONING for TV COMMERCIALS

Dates:

Duration:

Times:

Tutors:

Full Fee:


Saturday 6 July 2019

7.5 hours

10am - 6pm

Casting Director: Biffy James (2 Divas)
Director:  Richard Sarell

$256.00



Are you confident when auditioning for a TV COMMERCIAL?  Or do you often walk out of the audition room feeling you didn't do a great job.  Is the question often in your mind, "IF ONLY I had more time to think!  IF ONLY I could have another go!!"

Although a TVC only requires a short time commitment they often pay quite well - so TV Commercials are a handy supplements to an actor's income.  Impressing the casting director with your skill level is the first step towards the lottery of getting the gig.

This one-day workshop provides the opportunity to get better at auditioning for TV Commercials.  Yes, YOU WILL DO AN AUDITION.  But NO, YOU WONT walk out feeling that you would like a second chance.

THIS TIME YOU WILL get another chance?  After every round of auditions there will be a discussion/analysis session and then every actor will get a second go.  There will be one round in the morning session and another in the afternoon.  You get FOUR AUDITIONS in one-day working with two different audition formats.


What are the benefits of this course?

1) Build audition skill in two different audition formats

It is important to understand what a Casting Director expects of you and what they might ask of you.  What they ask might change depending on the audition format they are exploring.

2) An opportunity to sort out your specific confusions

Sort out your those areas you often aren't clear about.  Learn how to ask the right questions to get the right answers. 

3) Benefit from the knowledge of an experienced Casting Director and an experienced Director

During the briefing sessions after each audition you will get practical hands-on advice from the Casting Director's point of view and a Director's assessment.  You will explore a variety of options that are then tested out.

4) Work on real briefs so you get real experience

This will be a thoroughly professional working environment - dealing with the issues professionals face and using professional techniques to overcome them

5) Explore two different forms of TVC Auditions

Sometimes you have to work with another actor - sometimes you have to work alone.  Explore different techniques and different processes that help deal with these very different auditions.

6) Get to know a working Casting Director

Casting Directors not only need to know about your skill level they also need to know you.  Because you have a day to play with the challenges this workshop offers you will get to build a relationship with a working professional Casting Director

Shane Porteous A Country Practice [Lead actor]

For an actor a scene must do more than further the plot - it must explore the relationship between the characters. Richard has a gift for making this process clear and simple. His direction gives me confidence to trust my own intuition, thus allowing the character room to breathe...

THIS IS FOR YOU IF...

  • You find Casting Directors intimidating
  • Uncertainty about exactly what a casting director is looking for holds you back
  • The great plans for your audition are seldom delivered
  • Don't know how to manage the unusual demands of TVC auditions
  • Which questions are the right ones to ask the casting director
  • You feel an audition is a competition that you must win

IF YOU DON’T HAVE THESE SKILLS …

  • you may always feel uncomfortable when auditioning for a TVC
  • you wont have a professional understanding of the audition process
  • will remain confused about issues that should be clear to you
  • you will reduce your chances of doing a good audition
  • be rigid in your choices rather than relaxed, flexible and professional

ABOUT BIFFY...

Biffy has vast and varied experience in the entertainment industry. Starting at just 8-years-old. She has worked at Channel 7, as an Associate Producer for a comedy sketch series over two seasons and has been at 2Divas Casting for 5 years. In that time she has been involved in casting hundreds of commercials.

As well as an Arts Degree she also has a Diploma of Screenwriting (New York Film Academy, NY), Masters of Creative Writing (RMIT), and a Masters of Producing in Film and Television (Victorian College of the Arts).

Biffy has conducted many private workshops for actors, advising them of audition tips and tricks, and what to expect in the casting room.

ABOUT RICHARD ...

Richard was one of the first acting teachers to begin running workshops that allowed actors to interact with Casting Directors.  The aim was to give actors experience of the audition room so that they can approach an audition in a relaxed, focused and professional way.

These are the only workshops where actors also receive analysis and feedback from a director as well as a casting director.  This combined input from two different entertainment professionals makes these workshops unique and incredibly valuable.

Richard believes this workshop will be unique in the way it identifies and solves problems for actors.  It will be a small group where​ the focus is entirely on the needs of the actors.


The Rehearsal Room runs a variety of Audition Workshops

Learn to be comfortable auditioning for TV Commercials. 

THIS COURSE - Saturday 6 July 2019

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