Apr 26

Master Class

Dates:

Duration:

Times:

Tutor:

Full Fee:

Deposit:

Wednesday 26 April – 28 June

(10 weeks)

7.00pm to 9.30pm

Richard Sarell

$615.00

$50.00


Expand the effectiveness of your skills to a highly professional level. Refine your techniques and practice very effective, uniquely practical add-ons. Directors will love your ability to interpret their notes. In the final session be directed by a guest director.

If you feel you are ready for this workshop you can audition for a place

David Paterson Chopper, The Curious Case of Benjamin Button, Saving Mr. Banks, Frost Nixon

I have observed leading teacher directors in the US and UK and Richard shares with them that facility to guide actors through the guff to the heart of the scene.


What will be covered in this course?

1) Stretch your emotional range

The character’s emotions are directly connected to the success or failure they experience at achieving their goals. These techniques teach actors to get the emotional balance right.

2) Engage an audience with the power of the story

Delivering the story is the actor’s primary focus. You will be empowered to engage your audience with the real drama in a very real way.

3) Create richly complex characters

Creating real character’s that function beautifully in different relationships is the pinnacle of the actor’s craft. These simple and logical techniques create richly textured characters in a profoundly simple way.

4) Be in charge of your professional conversations

The Rehearsal Room process will enable you to dissect Directors and Casting Directors intentions. Often you will be able to interpret their goals into actor friendly concepts better than they can. You will be empowered to share in the responsibility of finding both story and character choices.

5) Prepare efficiently and effectively

Being given a task at short notice will no longer frighten you. You will practice being empowered to prepare in either seconds or weeks with techniques that are appropriate and effective. They are proven to work.

6) No longer will you be ruled by acting myths

You will practice techniques that are so logical and so practical that the mumbo-jumbo of many of the acting myths will no longer befuddle your mind and confuse your choices.

THIS IS FOR YOU IF...

  • You have strong foundations of The Rehearsal Room process in place and want to continue to build your skills
  • There are still areas of acting process you wish specifically work on
  • You know that maintaining a craft means constantly practicing
  • You want to catch up with new techniques that have evolved at The Rehearsal Room
  • You want to keep working with actors who use these unique skills

IF YOU DON’T HAVE THESE SKILLS …

  • You will compromise the consistency of your performances
  • Under pressure of an audition you will rush to make ineffective choices
  • You wont be able to process director’s notes effectively
  • You will often be confused about direction and uncertain how to implement it
  • You wont be able to monitor the bad habits that have crept into your work since the last class
  • You will miss out on the fun of the most enjoyable classes in town

ABOUT RICHARD...

Richard loves conducting the MASTER CLASS sessions. It is in these sessions that new articulations of this acting process will emerge. It is here that the learning is shared between the actors and the teacher. Although actors may still be clarifying their understanding of the detail of The Rehearsal Room process in these sessions they are now ready for big challenges and strong critiques. Because we are all measuring performances from the same set of values the discussions are exciting and frank.



As actors negotiate their choices before starting a scene it is very rewarding for Richard to listen to the practical nature of the discussions. It gives him immense satisfaction to hear actors identifying problem areas ahead of time. He often says, “When I hear actors analyzing the potential problems in a scene and sharing a range of simple solutions my spirits instantly rise. One of the main values of this process is to empower actors to see the possible outcomes of their choices while they are still in the preparation stage. It has always been my view,” he says, “that a professional can always fix a problem when it arises. The next step in professionalism is when the actor can anticipate the problem before it arises. I see actors at The Rehearsal Room doing that all the time.”



Richard always remembers the actor who said, “Not only can I make clear choices now; but I can also guess the outcome those choices will generate AND I’m also instantly ready to change them if they don’t work.”



Richard believes those are the professional skills that all actors should be able to deliver with ease


THIS COURSE STARTS - Wednesday 26th April 2017

Learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be skilled in auditions. The Advanced Workshop will make you the director’s best friend.

Your content here...

Follow

About the Author

Over his twenty-five year directing career Richard found that many actors he auditioned didn’t actually listen. They acted listening to pre-planned choices they had intelligently worked out as a result of their preparation. That pathway plainly didn’t work – it was fake. Even actors who had emerged from the major teaching institutions often couldn’t listen for real.