Monday 9 Oct – 11 Dec
7.00pm to 9.30pm
Richard Sarell, Glenn Quinn, Kyahl Anderson
Learn the key foundation skills for a professional acting career in this Melbourne acting class. It is a modern approach that has all the best elements of traditional processes plus many gems of its own. It’s an acting process for our times.
"Something clicks in every class. It’s an amazing feeling - knowing that you are going to learn something profound but you are yet to have any idea of what that is until it happens. I return each week excited knowing that I am about to experience this." March 2013
Throughout the history of acting tools that create a character are complicated and vague. These new techniques will enable you to create a believable character quickly. Managing character choices efficiently is the key to being an effective TV actor. You can learn to do it in seconds.
Surprises are the key to a standout performance. All the great actors play beautiful moments of surprise. You can do it too. These techniques are not taught anywhere else.
Casting Directors and Directors know that actors who deliver engaging performances are hard to find. If you can totally engage an audience with your performance, the professionals who want to hire you will instantly recognize your skills.
This is a no bullshit approach to traditional theories. It cuts through the complexities of other acting processes and explains them in a simple common sense language. You will be empowered by your new understanding of Stanislavski process. This is an acting process that makes sense.
Auditioning is a confronting experience for actors. The audition room can be an uncomfortable place. Learn the fundamental skills that will make auditioning relaxing and fun. That’s what it should be … FUN!!
The confusions and vagueness of other approaches are replaced with simple and powerful tools that you can manage with ease. This set of tools you can use with confidence because they deliver. It will change your view of acting forever.
Richard first discovered the core values of this technique when he was directing drama at the ABC in Melbourne in 1984. In an actor/director workshop run by the marvelous teacher Murray Hutchinson a simple, clear and common sense approach to Constantine Stanislavski’s theories was explained. Richard was captivated by the wonderful practicality of this approach and immediately started exploring it. He also began using it as the foundation of his directing techniques.
After watching Richard direct an actor on the ABC series “Embassy”, experienced British actor Brian Marshall commented, “That was pure Stanislavski!!” Other actors began to notice the difference and soon some began asking Richard to teach them the techniques he was using. Those requests generated what has now become The Rehearsal Room acting school in Melbourne. Over thirty-two years those common sense concepts have continued to develop and evolve.
This is a practical, professional approach focused on delivering the performance outcomes that directors and casting directors are looking for. Unlike any other acting process before it the main focus of this approach is on engaging and entertaining an audience. Actors who can do that are a sought after commodity. Richard loves teaching it. You will love learning it.
Learn skills you will use throughout your career. Learn to be real, to be versatile, to be a great listener and to be skilled in auditions. This workshop lays all the foundations for a professional acting career.
Over his twenty-five year directing career Richard found that many actors he auditioned didn’t actually listen. They acted listening to pre-planned choices they had intelligently worked out as a result of their preparation. That pathway plainly didn’t work – it was fake. Even actors who had emerged from the major teaching institutions often couldn’t listen for real.